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American Gigolo kickstarted the Eighties. It made the Seventies suddenly – instantly – yesterday. Unkempt & brassy gave way to sleek & sophisticated, disco to New Wave. How? Gere wearing Armani, driving a Mercedes, listening to Blondie in Schrader’s glimmering California masterpiece, that’s…
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The Call Me intro defined the Eighties
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Got African dictator coup? It used to be cliche, but its been a while – so I indulged myself in this action movie sleeper. In the end, I was entertained, but not overly impressed. Decent action, but not enough of it. Classic Christopher Walken drama – but slightly over done. A lot of time for c… |
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First of all it’s a Kurt Russell movie, always a good thing. Secondly, it’s tremendously assured, crisply created by a master movie craftsman. Last but not least, it portrays a classic grim-trigger game, where a dozen marooned guys have to kill one comrade after another upon determining that th…
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"Man is the warmest place to hide."
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Big time action-comedies kind of got started with Nick Nolte and Eddie Murphy in 48 Hrs. Big stars, big action, big laughs – big time. Walter Hill was an action guy, a Western action guy. Directing megahunk Nolte, with a never funnier Murphy, set in San Francisco, his big hit paved the way f…
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"New Sheriff in Town" Reggie Hammond
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A stupendously funny premise about an actor in Hollywood who dresses in drag to get a job. |
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The world’s greatest rock & roll band – at the peak of their powers – glimmers brightly in Hal Ashby’s awkwardly titled movie documenting their massive 1981 stadium tour. Promoting a just released Tattoo You, the 25 song set draws six tracks from that kickass album, along with three from the u…
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Start Me Up as virginal stadium anthem
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Dangerously seductive, visually intoxicating, intellectually playful, Pauline at the Beach is très français. Bien sûr, very, very French. Éric Rohmer was past 60 when he made it, but his cinematic vision of an older man seducing a hot Parisian blonde proved he hadn’t lost touch with his inner…
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They also found time to talk.
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