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Saving Private Ryan has a new neighbor atop the pantheon of Great American War movies. Chris Kyle, Bradley Cooper and Clint Eastwood’s American Sniper illuminates the reality of America’s 21st century war as never before, just as Steven Spielberg’s classic did about the Greatest Generation’s …
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10 Questions with the real Chief Kyle
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The wages of sin are very good for Tom Cruise for a very long time in American Made, a fanciful recounting of one smuggler’s blues during the 1980s cocaine explosion. It’s a very satisfying movie, with a modicum of truth, a surfeit of crazed sexiness, and a satisfactory ending when the wages of…
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Great trailer lies from the start.
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Denzel and Crowe at the top of their games, combined with a compelling (if familiar), interesting and assured story make this an almost perfect gangster movie, just shy of the Godfathers and Goodfellas…. |
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Hillary Swank and Richard Gere star in this biopic of Amelia Earhart. Shot in a flashback style – switching between the infamous last flight and the history of her achievement and adventure, this film is interesting more for Amelia’s story than for any great filmmaking. Sure, Hilary and Rich… |
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Brilliance has never been more exquisitely appreciated than in Amadeus, with Wolfgang Amadeus Mozart’s genius obsessively observed by Antonio Salieri, his lesser rival. Profound jealousy makes for such sweet sorrow, especially as snottily delivered by F. Murray Abraham in a stupendously juicy r…
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Sexy Opera, Very Sexy Opera
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Suburban drug running goes tragically awry in this fictionalized account of a real Southern California murder. Nearly as alarming as the 2000 murder is the callow nihilism of the SoCal teens and twentysomethings involved with it. Living in comfort, they admire the gangsta doggs celebrated on MT…
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Justin Timberlake: Dude can act.
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All the Money in the World slays as a kidnapping thriller and as a biopic of the legendary J. Paul Getty, once the world’s richest man. The thriller jumps off to a startling beginning, takes a series of surprising turns, and remains thrilling right up to the well-known ending. That’s a solid sh… |
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Director Oliver Stone tried too hard with Alexander. It tried to be a monumental epic, but in the end just felt too long and drawn out, with too much inward facing drama and not enough about the battles between great armies and the politics it must have taken to conquer all those lands. It did h… |
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