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I’m loyal to Katniss Everdeen, so had to see the end of her story. Love can be painful and this movie was. Freighted with profound mournfulness, it’s simply too much and too long. Alas, The Hunger Games is ultimately high-toned YA, notwithstanding its often brilliant political grandstanding. Th…
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Love Hurts, Sweet Katniss
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Lots of sound and fury, signifying nothing. Well, that’s not true. The Rover signifies a monumental Guy Pearce performance, coupled with a notable Robert Pattinson one. Nor was there lots of sound, come to think of it. Surprisingly little actually, what with Guy Pearce’s quietly laconic ave…
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Guy Pearce: Moviestar for the Ages
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Not as good as it thinks it is or was cracked up to be, Prisoners nonetheless proves to be an involving, impressive and ultimately satisfying thriller. It’s worth being imprisoned inside a theater for 2½ hours. Yet sleazy storytelling-tricks weigh it down and a grimly enthusiastic desire t…
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Two men tortured by the same crime
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Blood begets blood as a Bangkok blood feud drives waves of retribution in artistic director Nicholas Winding Refn’s crime thriller Only God Forgives. Think Drive crossed with Bronson, set in Asia. If that doesn’t mean anything to you, imagine Ryan Gosling in a savagely violent, brooding…
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Makes the Wicked Witch seem nurturing
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Tye Sheridan continues his JLaw moviestar ascent as yet another grievously put-upon Southern boy in Joe. Nicolas Cage delivers one of his best roles in years as Joe: classic Cage, peccadilloes galore, heavily armed. Textbook movie drama ensues. A wastrel man is made better by protecting an u…
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Portrait of Tye Sheridan as a young man
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I avoided End of Watch when it came out in 2012, thinking it was just a steroidal TV Cop Show, moviestar Jake Gyllenhaal notwithstanding. Then David Ayer’s movie demanded attention, given BrianSez’s effusive review and Ayer’s recent mas…
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Cop Dogma in Outstanding Open Scene
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