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All for one and one for … naught. Paul W.S. Anderson’s CGI-crazy take on The Three Musketeers has some great visuals to recommend it and gobs of silly gimmickry to destroy it. The gimmickry won, meaning the viewer loses. Steer clear. The movie consists of cockamamie action scenes inter…
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The King & his Minister in the Louvre
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People want to love Les Miz and many have, including the Oscars and a fellow ViewGuider. Fair enough. Beloved is beloved, especially when a blockbuster movie doesn’t stint on production values or star power. Sometimes however, an ugly truth is hiding right in plain sight, or in plain earshot…
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Samantha Barks stands out in a crowd
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Great title, lame movie. Perhaps the cutting edge from 1972 was bound to appear silly four decades later, but this French farce sure hasn’t aged well. Desperate to offend, it mostly baffles and boggles. Is it too late to rescind its Oscar for Best Foreign Language Film? |
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François Truffaut’s The Man Who Loved Women hasn’t aged well. Perhaps that happens to every Lothario. It certainly seems to happen to movies about them. Nonetheless, this famous French film carries a certain fascination given that it was created by the legendary auteur behind "the Auteur Th…
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The Man Who Knew Women
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Brando’s feral sexuality reached its nihilistic extreme in Last Tango in Paris, a high-toned porno distinguished then for its daring explicitness and now as a period piece of iconic 70s indulgence. The minimalistic story about a grief stricken older man conducting an anonymous sexual maratho…
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Nihilistic Chic: Cover Boy Brando
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