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Comic genius, thy name is Seth MacFarlane, the writer, director and voice of Ted, a wildly ill-behaved “living” teddybear. The movie’s conceit is that a grown man’s arrested development gets enabled by this magical best buddy, who has taken on nothing but bad habits since leaving chronological…
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Ted cops a feel. Isn't he cute?
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40% LOL, 50% hide the women and children. Make that 80% hide the innocents, yet still 40% LOL, more than enough funny to get the job done. Yes, it’s spectacularly mean, violently so, but it’s no more cruelly subversive than was Borat. (Oh great. Now Borat… |
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Wes Anderson movies are an acquired taste – highly stylized, absurdly droll comedies. Moonrise Kingdom? Stylized well into pronounced surrealism. Yet it works due to a lovely and improbable romance between a couple of emotionally disturbed twelve year-olds. Being a Wes Anderson movie, the…
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Searching for her man, er, boy.
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Being John Malkovich is more about being Charlie Kaufman than it is about being John Malkovich. The first movie written by Kaufman is also the first directed by Spike Jonze. Those three proceed to use Malkovich’s public persona as a portal into our fascination with fame – in weirdly entertain…
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Id would like to know who's on first?
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The Coen Brothers are writers as much as directors, making Barton Fink – a satiric tribute to tortured writers and the demonic pull of Hollywood – more than a little self-reverential. Oops, did I say reverential? Referential, self-referential. Either way, it’s one of their best movies, not…
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"It's the carrot that wags the dog." ...
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