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Those Magnificent Men in their Flying Machines – as the phrase went back in the day. Magnificent indeed, but also jaded, troubled, and struggling with the fact that so little of them ever make it through WWI sotries alive. Aces High takes a soft-pedal (well, soft for a 70’s movie anyway) look a… |
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The Conversation was one of Francis Ford Coppola’s celebrated early Seventies movies, nominated for Best Picture and winner of the Palme d’Or. Deeply accomplished, occasionally fascinating, a time capsule of San Francisco from 1973, it nonetheless disappoints all these decades later. The min…
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Coppola talks 'The Conversation' in 1974
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Judith features Gentile moviestars playing Jewish freedom fighters during Israel’s War of Independence. It’s amazing how glamorous a story centered on early kibbutz life at the end of the British Mandate can be. To that end, Judith is a fabulous Sophia Loren movie. The great Loren stars a…
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Kibbutznick Extraordinaire
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What we have here is movie magic sans modern FX. Instead Charade conjures its allure from a couple of nonpareil moviestars delivering sparkling dialog in an idealized Paris while a seductive theme song plays in the background. Such an intoxicating mix makes it easy to fall in love with Cary Gr…
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Moviestar Magic Incarnate
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The best Bond? Hardly, notwithstanding its haughty reputation and terrific title. Connery’s in rare form, granted. However the Bond girls are … who are they again? Former beauty queen Daniela Bianchi and a pair of Gypsies. Hardly Ursula Andress, Halle Berry or Jane Seymour. The übervi…
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Connery & Miss World Runner-Up
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Hitchcock’s classic thriller, dizzying as ever, still packs enough punch to make girls scream. While tame by the crude standards of the past thirty years, the movie doesn’t lack for intrigue, glamour and surprise. That said and though Vertigo is widely acclaimed as Hitchcock’s masterpiece, …
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Hey, is that Kim Novak out front?
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Dial M for Murder is lesser Hitchcock, yet worth watching for its classic tropes, timeless title and for Grace Kelly. But, the convoluted and constrained plot is insufficiently removed from its stage play roots.
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Hitch loved blond: Grace Kelly's Gold...
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A lavish Hitchcock treat, full of glamour, suspense and wit. The establishing scene is a virtuoso display of filmmaking all by itself, while Grace Kelly graces – there is no other word for it – the silver screen like a goddess amongst mortals. |
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Marilyn Monroe didn’t want to appear in River of No Return, nor did Otto Preminger want to direct it, especially if Marilyn was to star. Studio contracts forced them into it and we’re all the better for it today. River of No Return is a fine mid-Fifties Western, with surprising Italian root…
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Marilyn sings: Let it wash over you.
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The House on Telegraph Hill is a triumph of art direction. That’s good. It’s also unintentionally campy. That’s bad. The result is a just OK movie, yet one that belongs in the San Francisco Cinema Hall of Fame. The views are marvelous. And the views are the thing with San Francisco real…
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Grt Views, Lrg House, fake Telegraph ...
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