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The “Cotton Club” is one and and a half performances away from being a very good for great movie, but as they say “If my grandma had wheels, she’d have a trolley”. Well that’s not quite accurate but overall it is a very appealing, ambitious movie that is marred by a very over the top performance …
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Dennis Lehane took a short-story set in his characteristic Boston and expanded it into a screenplay set in Brooklyn. This works, great writer that he is, even if the story’s legs don’t so much cohere as cohabitate. The Drop won’t cohabitate as among his best with Mystic River…
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Hardy & Schoenaerts play American.
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Less an LOL comedy than one that keeps you in a semi-sustained semi-grin, The Family has lots to like if not enough to love. Luc Besson’s Mafia satire does score easily and often, with major stars delivering most of its best lines. They each shine brightly, though not in the order you might e…
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Dickhead boys get taught a lesson.
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Time hasn’t been kind to The Fisher King, a bum’s view of New York during the doleful Dinkins years. Terry Gilliam’s film of Richard LaGravenese’s screenplay is a dystopian tour through NYC in its Hobbesian pre-Giuliani days. Yes, it’s still a great movie, albeit its whine doesn’t stand the tes…
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Robin Williams & Amanda Plummer kiss
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For its time, The French Connection is a ground-breaking movie, and with a gripping narrative alongside brutal action and strong performances from Hackman and Schneider, it deserves recognition. |
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The House on Telegraph Hill is a triumph of art direction. That’s good. It’s also unintentionally campy. That’s bad. The result is a just OK movie, yet one that belongs in the San Francisco Cinema Hall of Fame. The views are marvelous. And the views are the thing with San Francisco real…
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Grt Views, Lrg House, fake Telegraph ...
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Marion Cotillard, Joaquin Phoenix and Jeremy Renner form a tortured romantic triangle at the heart of The Immigrant, a touching period drama. Cotillard, the immigrant of the title, enters America with her sister through Ellis Island. Traumatized back in Poland, she gets beset with new problems…
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Why so sad? She has her reasons.
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Martin Scorsese’s The Irishman is the Forest Gump of mob movies, sans any sense of sweetness of course. The Irishman has an emotional range from glum to grim, but is Gump-like in placing its protagonist in the middle of a long series of famous moments from the early sixties to the mid seventi…
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Circoreality 2.6x of Actual
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A cheated wife gets her revenge in The Other Woman by stealing the movie from “the other woman”. That would be Leslie Mann stealing from Cameron Diaz, the big star and a natural as the other woman. Mann is hilarious as a kookie wife who gets not just the last laugh, but most every other one a…
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Leslie Mann upstages Cameron Diaz, again
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The Palm Beach Story hasn’t aged well. A Preston Sturges’ classic, funny and loaded with iconic style, its heavy-handed comedy sometimes clanks. No? Sue me. I’m into romantic comedies mostly for the comedy, albeit not those with too many pratfalls. More egregiously, the use of "colo…
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Now this is a trailer. Personality, i...
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