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This early Al Pacino classic holds up well, especially as a prototype for the bevy of counterculture hero and realistic cop movies that followed. Highly recommended for cop movie fans, Pacino fans and those interested in 60s counterculture.
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The real Frank Serpico testifying
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For its time, The French Connection is a ground-breaking movie, and with a gripping narrative alongside brutal action and strong performances from Hackman and Schneider, it deserves recognition. |
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Breakfast at Tiffany’s is the apotheosis of Kennedy-era Mad Men America. Was it ever on the show? Don’t recall. Coulda, shoulda. Blake Edwards opens his movie of Truman Capote’s novella on an empty Fifth Avenue, with Audrey Hepburn in a little black dress emerging at the only Tiffany’s in…
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Audrey in The Little Black Dress
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Liz Taylor’s sultry star power makes BUtterfield 8 an enduring curiosity, now more legendary than ever in the wake of her death. A sophisticated story about sexual motives makes it a quality film. La Liz plays a sometime model who cavorts with wealthy married men until falling for one in pa…
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Iconic Liz: Just ask Camille Paglia
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Audrey Hepburn is the spoon-full-of-sugar who makes the cultural imperialism go down in Funny Face. Stanley Donen’s musical – done Broadway style – is an intoxicating Vogue-tini, a Size 0 fashion fantasy. Richard Avedon famously created the opening titles, which are perfectly high fashion. …
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Avedon's timeless portrait of Hepburn
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Spencer Tracy & Katharine Hepburn weren’t hardly done being the greatest couple in Hollywood history when they made Desk Set in 1957. Ten years later, they’d star as parents whose daughter brings home the very black Sydney Poitier as her fiancé in Guess Who’s Coming To Dinner…
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The Greatest Demo of All Time
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A severely dated farce would hardly be worth watching now if it didn’t star Marilyn Monroe at her most incandescent. Even better, The Seven Year Itch features Marilyn standing atop a windy subway grate in a rather famous white halter dress – widely considered one of the iconic images of the 20…
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Another dress that deserves fame
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A lavish Hitchcock treat, full of glamour, suspense and wit. The establishing scene is a virtuoso display of filmmaking all by itself, while Grace Kelly graces – there is no other word for it – the silver screen like a goddess amongst mortals. |
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How to Marry a Millionaire opens with a five minute bravura orchestral concert, which amazing though it is, is five minutes of men in tuxes when you’re expecting Marilyn Monroe. Then you get Lauren Bacall as the queen bee, the head girl, the model with a plan. And a luscious Marilyn. And …
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Marilyn at the premier. 'Nuff said.
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