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Dangerously seductive, visually intoxicating, intellectually playful, Pauline at the Beach is très français. Bien sûr, very, very French. Éric Rohmer was past 60 when he made it, but his cinematic vision of an older man seducing a hot Parisian blonde proved he hadn’t lost touch with his inner…
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They also found time to talk.
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Tom Cruise acts like you think he would in high school – self absorbed and too cute for his own good. He’s no match for his coach, who makes his coming of age experience stressful and close to turning him in to just another dying steel town worker. |
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American Gigolo kickstarted the Eighties. It made the Seventies suddenly – instantly – yesterday. Unkempt & brassy gave way to sleek & sophisticated, disco to New Wave. How? Gere wearing Armani, driving a Mercedes, listening to Blondie in Schrader’s glimmering California masterpiece, that’s…
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The Call Me intro defined the Eighties
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A delightful romance about two thirteen year olds who fall in love in Paris. The girl is a American whose father works in Paris and the boy is a Parisian who is fasinated with films. They are a unlikely due and after a incident at the girls birthday party the mother forbids her to see the boy, so… |
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Based on a Broadway play of the same name, Same Time, Next Year is an entertaining comedy/romance about two people who see each other for a romantic getaway once a year. What starts as a one-night fling when they are young, develops into a yearly event for Doris (Ellen Burstyn) and George (Ala… |
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A perfect Hollywood confection, charming and LOL funny. Centered on Warren Beatty in his movie star prime, plenty believable as an all-too-good NFL quarterback.
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Lovely Christie
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It hasn’t aged well, this Seventies icon. Maybe because Woody Allen self-parodied himself in real life, or Left Wing Manhattan neurotics are no longer exotic characters, or topical gags don’t have much shelf life. “La-dee-da, la-dee-da.” Sure it’s still a benchmark movie. The Academy doesn’t …
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Trailer for a Best Picture winner
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