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Visually scintillating, musically avant-garde, dramatically turgid: This biopic of two cultural giants goes down like Brussels sprouts instead of foie gras. IOW, it takes effort to work through the two hour running time, when it should feel like savoring a rich delicacy. Pity, since Coco & Igor…
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Great design barely trumps turgid drama.
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Those Magnificent Men in their Flying Machines – as the phrase went back in the day. Magnificent indeed, but also jaded, troubled, and struggling with the fact that so little of them ever make it through WWI sotries alive. Aces High takes a soft-pedal (well, soft for a 70’s movie anyway) look a… |
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The Intouchables clearly plays better in its native France than to we Americans. There it is a cultural sensation that bridges the divide between an immigrant underclass and wealthy patricians, the former living in bleak suburban projects, the latter in central Paris. Featuring big French sta…
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"You're going to buy that?!"
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Brando’s feral sexuality reached its nihilistic extreme in Last Tango in Paris, a high-toned porno distinguished then for its daring explicitness and now as a period piece of iconic 70s indulgence. The minimalistic story about a grief stricken older man conducting an anonymous sexual maratho…
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Nihilistic Chic: Cover Boy Brando
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The Crimes of Grindelwald is also The Parade of Obscurities, so convoluted are its developments over 2¼ hours. Unlike other J.K. Rowling movies, which have generally been discernible despite their depth, Fantastic Beasts 2 makes even the convoluted Avengers: Age of Ultron… |
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Vincent van Gogh deserves a great biopic. At Eternity’s Gate isn’t it, not even close. Frequent screen blackouts and repeated dialogue are just two flaws. At Eternity’s Gate has several more, including scenery that isn’t beautiful until Van Gogh makes it so. Yet its worst flaw is to waste …
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Nice Scene
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Great title, lame movie. Perhaps the cutting edge from 1972 was bound to appear silly four decades later, but this French farce sure hasn’t aged well. Desperate to offend, it mostly baffles and boggles. Is it too late to rescind its Oscar for Best Foreign Language Film? |
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People want to love Les Miz and many have, including the Oscars and a fellow ViewGuider. Fair enough. Beloved is beloved, especially when a blockbuster movie doesn’t stint on production values or star power. Sometimes however, an ugly truth is hiding right in plain sight, or in plain earshot…
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Samantha Barks stands out in a crowd
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All for one and one for … naught. Paul W.S. Anderson’s CGI-crazy take on The Three Musketeers has some great visuals to recommend it and gobs of silly gimmickry to destroy it. The gimmickry won, meaning the viewer loses. Steer clear. The movie consists of cockamamie action scenes inter…
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The King & his Minister in the Louvre
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