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Greatest Western? The Man Who Shot Liberty Valence is certainly in the running, given how it plays with Wild West myth-making, features three iconic stars along with a passel of great costars and wields a humdinger of an ending. “Nothing’s too good for the man who shot Liberty Valance,” the l…
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Who's the man? You're the man.
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Silence of the Lambs set the standard for the psychological crime thriller. As Hanibal, Anthony Hopkins does ‘evil’ like nobody else, and if that wasn’t enough, Jodie Foster and her law enforcement brood need to find and deal with Hanibal’s sick protege. This movie deserved all of the Oscars that… |
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Looper is one of the most satisfying movies of the year. An outstanding action picture, a mind-bending time-travel yarn and a charismatic moviestar showcase, it’s exciting, thought provoking and often damn funny. Writer-director Rian Johnson must be a very hot commodity in Hollywood now based…
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Charismatic: Bruce's best role in years
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Polish up the acceptance speeches. Changeling deserves a passel of trophies, though Best Picture isn’t one of them. The difficult story – while expertly told – ends up a mildly exhausting slog, one not worth enduring for anyone not wanting to visualize the most elemental of maternal nightmare… |
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A superbly crafted film about a sympathetic sociopath, Monster deserves to be appreciated for much more than Charlize Theron’s Oscar-winning performance as serial killer Aileen Wuornos. For instance, it deftly shows a seamy side of American society, the confounding and sometimes tragic forces …
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Fully Committed: Theron's Wuornos all In
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Genre movies get no better than Black Widow, a noirish crime drama that delivers just what its title promises. A stunning woman seduces rich men to marry her, kills them, absconds with their fortunes and finds her next mark. You hardly want her caught, especially if you’re a guy and she’s not…
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Black Widow in Bridal Mode
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In the Cut deserves more than mere notoriety for a provocative title and Meg Ryan’s erotic performance, though the latter is monumental – No more RomComs for the RomCom Queen. – and vividly memorable. Slow starting, moody, Jane Campion’s movie finally turns fully creepy 30 min in, not a mome…
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The movie's better than the trailer.
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Hollywood must be licking its chops to remake this Swedish hit. Chockablock with career-making roles, combining fashionable anti-capitalist politics with feminist blood-lust, and striking a crisply efficient thriller tone, it suffers only from a poor title, not that that matters given how huge t…
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Good trailer, great movie.
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