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Marion Cotillard, Joaquin Phoenix and Jeremy Renner form a tortured romantic triangle at the heart of The Immigrant, a touching period drama. Cotillard, the immigrant of the title, enters America with her sister through Ellis Island. Traumatized back in Poland, she gets beset with new problems…
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Why so sad? She has her reasons.
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Hard not to think of The Wind Rises as The Zero Movie, as it’s about the engineer who designed Imperial Japan’s lethal fighter – the dreaded Japanese Zero. Instead, Jirô Horikoshi gets painted in hagiographic terms in a movie nominated this year for an Oscar and a Golden Globe: Best Animate…
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Flights of Fancy in a Fatally Flawed ...
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Heard of the Bondurant School of Driving? Lawless is the Bondurant school of bootlegging, V8 Fords careening along dirt roads included. Indeed, the story of a legendary family of moonshiners from Western Virginia – the Bondurants – gets a monumental telling in this powerfully assured and ente…
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Guy Pearce's dandy of a villain
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Thérèse is a great film by the great Claude Miller of the great French novel Thérèse Desqueyroux, 1927. Think of it as Madame Bovary in the pine forests of Southwest France. Only Thérèse barely has sex, let alone affairs. Talk about a banal life. Look at her stunning poster visag…
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Taking in their combined estate.
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Visually scintillating, musically avant-garde, dramatically turgid: This biopic of two cultural giants goes down like Brussels sprouts instead of foie gras. IOW, it takes effort to work through the two hour running time, when it should feel like savoring a rich delicacy. Pity, since Coco & Igor…
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Great design barely trumps turgid drama.
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Depp does Dillinger — directed by Mann, in Public Enemies. This was the most promising premiere of the summer, a perfect convergence of preeminent star in a role he was born to play – one of the most significant crime figures in American history – being directed by the maestro of high-style cr…
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Middle American Insouciance
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