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A traditional Western presented with richly modern production values, 3:10 to Yuma fails to satisfy due to an ultimately silly story and run-of-the-mill performances. |
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Darker and more realistic than the 1969 original featuring John Wayne, this 21st Century retelling of a classic Wild West retribution story succeeds in almost every respect — often funny, richly evocative, shockingly brutal, cleverly revisionist. That last comes from the clear hero – a 14 year …
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Tall in the Saddle: Hailee Steinfeld
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The Old West ended when Butch Cassidy and the Sundance Kid hightailed it to Bolivia. Old Westerns ended when Paul Newman and Robert Redford became Butch Cassidy and the Sundance Kid, outlaw charmers the likes of which the Silver Screen had never seen before. Four Oscars plus three additional n…
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Bewitching Musical Interlude
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The Lone Ranger is Tonto’s movie. Good thing, since Tonto is played by Johnny Depp. Everybody knows this, just as everybody knows Johnny Depp is mighty white. Ironically, only in P.C. Hollywood would it be politically acceptable for a white guy to play an iconic Indian character in a 21st ce…
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Depp's look from a White painter, per...
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Crisp and charismatic Western, done classically yet with an ironic sensibility. Fans of Ed Harris, Viggo Mortensen and Westerns won’t be disappointed. |
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Just as Goodfellas is the ne plus ultra of mob movies, Unforgiven is the apotheosis of Westerns. In classic Western form the movie endorses the ethos of the lone righteous man doing what needs done, while at the same time baldly debunking the glorification of gunfighters in the Wild West. T…
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Samurai cowboys save a poor village in ye old Mexico, riding in to one of the greatest themes of all time. Fifty years on, the all-star cast impresses less than the bravura music — the Marlboro jingle still arouses. The Magnificent Seven famously remakes Kurosawa’s Seven Samurai…
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Elmer Bernstein's Magnificent Theme
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Think the title is long? Consider yourself warned: this boring movie never seems to end, meandering for nearly 2½ hours. Plus it commits the deadly sin of assuming that the viewer is familiar with the particulars of Jesse James’ early legend, without which the poorly told story has no narrative… |
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