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Tws summary
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Lots of sound and fury, signifying nothing. Well, that’s not true. The Rover signifies a monumental Guy Pearce performance, coupled with a notable Robert Pattinson one. Nor was there lots of sound, come to think of it. Surprisingly little actually, what with Guy Pearce’s quietly laconic ave…
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Guy Pearce: Moviestar for the Ages
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Think of this de facto zombie movie as No Country for Little Boys: a surreally grim milieu through which a dauntless Father must shepherd his pure-hearted Son. Such a nihilistic extravaganza creates ample opportunities for life lessons of the most extreme sort. The result is gripping, though …
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Dauntless Paternal Love
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Deeply unsatisfying, notwithstanding the top-drawer talent that created it, this adaptation of a celebrated novel proves that some books should never make the heavenly transition to the silver screen. Shame on Peter Jackson – the Lord of the Ring…
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Sarandon was great, a rarity in this ...
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I’m loyal to Katniss Everdeen, so had to see the end of her story. Love can be painful and this movie was. Freighted with profound mournfulness, it’s simply too much and too long. Alas, The Hunger Games is ultimately high-toned YA, notwithstanding its often brilliant political grandstanding. Th…
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Love Hurts, Sweet Katniss
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The Conversation was one of Francis Ford Coppola’s celebrated early Seventies movies, nominated for Best Picture and winner of the Palme d’Or. Deeply accomplished, occasionally fascinating, a time capsule of San Francisco from 1973, it nonetheless disappoints all these decades later. The min…
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Coppola talks 'The Conversation' in 1974
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A woman on the edge propels the oh-so-smart drama in this almost too clever movie. The story turns back in on itself time and again, not fully revealing its convergence till the end. An ultimately satisfying twist does come, though not before we’re asked to hang in through lots of puzzlingly se…
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OK, not from the movie, but Jennifer!!
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M. Night Shyamalan peaked with Signs. Wonderfully creepy and magnificently manipulative, it’s a self-consciously old-school scary movie. Even this non-horror fan enjoyed it. Mel Gibson’s Muted Max performance anchors writer-director Shyamalan’s achingly heavy story. Leading a great cast…
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Charismatically great acting: Gibson ...
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Oliver Stone loves making drug-trade movies, war movies and especially drug war movies. So a California drug war makes an ideal subject for his obsessions. Savages – the title flaunts its nihilistic appeal – fills the bill. Speaking of flaunting, Stone’s movie sports rich ingredients but nev…
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Salma Hayek -- Cleopatra Kingpin
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