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Starched and stilted, Witness for the Prosecution nonetheless packs one hell of a punch at the end, with glorious detail throughout and a powerhouse cast who are the complete masters of their juicy roles. Nevermind that its theatrical roots show. Agatha Christie knew how to write for max view…
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Wilder angle: Dietrich looks up at Power
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There’s No Business Like Show Business and there was no show business phonier than vaudeville, till movies. So an overtly phony movie about vaudeville makes for a phony convergence. It was perhaps the last of the musical extravaganzas, a calorically rich compendium of Irving Berlin’s showstoppi…
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Marilyn Monroe & Donald O'Connor: Sta...
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A severely dated farce would hardly be worth watching now if it didn’t star Marilyn Monroe at her most incandescent. Even better, The Seven Year Itch features Marilyn standing atop a windy subway grate in a rather famous white halter dress – widely considered one of the iconic images of the 20…
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Another dress that deserves fame
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Call me crazy, but I find The Philadelphia Story inferior to Bringing Up Baby, its contemporaneous cousin. Katherine Hepburn’s comeback movie – the picture that cemented her status as a hit-making star – is a very fine romcom and an understandable member of seven American Film Institute all-t…
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Starburst: Grant, Hepburn, Stewart
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Fascinating history lessons are rarely tremendously entertaining, yet The Madness of King George is both. Frequently funny, often charming, it’s nevertheless chockablock with important historical insights about the British government, crown and class system, and the ignorant barbarity of pre-mo…
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Dissolute Prince behind dignified King
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There will be blood, indeed. And singing, don’t forget the singing. And genius: Johnny Depp in a Tim Burton film about a mass murderer makes this Edward Razorhands. All in all, this highly theatrical production captivates and pleases with charismatic performances, a compelling story about …
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Moviestar visages command our gaze.
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