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Tws summary
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I find self-loathing shmucks more annoying than interesting. So Barney’s Version – about a dissolute TV exec played by the redoubtable Paul Giamatti – surprised me by deepening into an affecting and intriguing drama in its third reel. Based on Mordecai Richler’s final novel, its literary pedig…
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Solid acting enlivens a solid novel
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Burton and O’Toole grandly declaim in Becket, a big historical drama and big hit from 1964. Two leading-men of the old school variety, with big voices, they’re more than capable of extreme declamation in a love story between two men – unrequited. The bromance ended badly after Burton’s great ma…
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King & Wingman, before it all went bad
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More than just the chariot race, Ben-Hur virtually defines big screen epic. At three and a half hours, it’s a lot of movie, full of bravura performances, grand visuals, and tasteful religious symbolism. One of only three movies to win 11 Oscars,1 it deserves the acclaim that accompanies the…
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Ben-Hur: This, in widescreen Technico...
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Hail the maximum sword and sandal movie. Gladiator tells a relatively unadorned story stupendously well. Its great star – Russell Crowe – fights above his weight class, delivering a superman performance while hewing to his characteristically understated readings. Highly watchable then and … |
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“Introducing Audrey Hepburn” reads an opening credit. Yes, the elfin Screen Queen made her debut as a fairytale Princess in Roman Holiday, for which she won the Best Actress Oscar — a splash for the ages! One of the best RomComs ever, Roman Holiday enchants to this day, utterly charming begi…
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Moviestar Princess wearing Edith Head
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Charlton Heston makes Michelangelo as operatic as Moses in The Ten Commandments. Facing off with Rex Harrison’s Warrior Pope in 1500s Rome makes The Agony and the Ecstasy a spectacle extraordinaire. The 2¼ hour runtime wisely starts with a 12 min. intro that covers Michelangelo’s highlight…
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Charlton Heston with the Contessina
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