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The dramatic depth of a lite beer commercial, egregious stereotyping and one-note performances consign The Replacements to cellar-dweller status. Even the great Gene Hackman can’t rescue it from ridiculousness, triteness and mean-spiritedness. Consider it a weak replacement for a quality foot…
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Brooke Langton cheers up Keanu Reeves
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The NY Times’ take on the banking crisis endgame gets reenacted in this made-for-HBO docudrama. Notwithstanding the Big Lie told in the middle, the movie otherwise seems to competently essay the mechanics of the fall of Lehman Brothers, AIG and the imposition of TARP. The Big Lie comes when t…
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Tim Geithner: Mr. Too-Big-To-Fail him...
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It’s a romantic thriller. No wait, it’s a lame sorta scifi story that never really adds up. Pity, because the strong cast works well, with romantic leads Matt Damon and Emily Blunt demonstrating real chemistry. How does a misfire like The Adjustment Bureau get made? You can just see the… |
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Second-rate performances by first-rate stars in a second-rate thriller with a heavy-handed political agenda make Arbitrage a third-rate movie. Don’t believe the praise it’s received from the Mainstream Media. They’re in love with writer-director Nicholas Jarecki’s politics more than his movie…
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The movie's lone shining star: Tim Roth
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The poster tells the tale. Robert Pattinson starring in a David Cronenberg movie of a Don DeLillo book is all you need to know about Cosmopolis. A deeply surreal fable about the evil rich as embodied by a soulless manqué sums it up. Oh yeah, bloody wounds get inflicted. It is a David Cronenb…
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Financial vampire in 4 wheel stretch ...
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Me and Orson Welles is a disappointing, amateurish effort from the heretofore redoubtable Richard Linklater. Sadly the writing and acting weigh down whatever directing talents Linklater brought to the production. Ironically, for a movie that celebrates acting, the acting is just OK.
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Welles as Brutus in the Mercury's 'Ca...
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The only smile triggered by Jason Bourne comes after the very long end credits, where the fine print under a “Green is Universal” logo brags about how this steroidal killfest used Sustainable Filming Practices. So let’s get this straight. After the private jets used by Matt Damon and his large …
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Mighty Matt rocks his upside-down grin.
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Nicole Kidman’s frisky freak – while very transfixing – doesn’t rescue The Paperboy from decrepitude. It doesn’t help that she’s got a phony Southern accent, one of several in this miserable misfire of a movie. Charlotte Bless – one of the hottest harlots in cinematic history – has eyes for…
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Does it get any hotter? Hell no!
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Yuck. A big F. U. to the NFL that hypocritically revels in jock sniffing, Any Given Sunday qualifies as a guilty treat mainly due to its extensive use of legendary players. Non-fans should steer clear. Oliver Stone manages the near impossible: making the NFL banal. He wastes copious star …
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Legends as caricatures: Pacino & Brown
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Ok, so I put off seeing this for many years, but I finally bit the bullet and watched the teenage phenomena fueling Twilight. Well, apparently I wasn’t missing much. Other than the beautiful Washington rainy backdrop, it was an amalgam of unlikely events strung together to highlight the the tee… |
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