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A spoonful of sugar makes the medicine go down. The sugar: a terrific love story. The medicine: the wanton cruelty and dehumanization endemic to the nascent Soviet Union. Director David Lean – King of the Epics – reunited with Omar Sharif and several essential crew members from "Lawrence of Ar…
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They don't make 'em like they used to.
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The Sound of Music is one of those iconic films that everyone should see. Perhaps for some, it will entail some suffering through 60’s era cliches and life-glossed-over portrayals, but it does entertain. Julie Andrews was in her prime and Christopher Plummer is the happiest you’ll ever see of h… |
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Charlton Heston makes Michelangelo as operatic as Moses in The Ten Commandments. Facing off with Rex Harrison’s Warrior Pope in 1500s Rome makes The Agony and the Ecstasy a spectacle extraordinaire. The 2¼ hour runtime wisely starts with a 12 min. intro that covers Michelangelo’s highlight…
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Charlton Heston with the Contessina
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Morituri is a terrible title for a movie, now and in 1965 when this Brando-Brynner warhorse premiered. If that wasn’t bad enough, Marlon Brando refused to do publicity, limiting himself to one line of perverse grandiosity. The movie bombed. So they renamed it The Saboteur: Code Name Morituri… |
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A confusing, bizarre and eccentric addition to the Hitchcock filmography, ‘Marnie’ is a rare misstep for Hitch – particularly in its casting of Sean Connery in a role that would have suited an actor with real ability and skill.
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Marnie Trailer
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A pre-sexual revolution Italian trifle, Matrimonio All’Italiana packs a considerevole punch 50 years on. Consider Sophia Loren – in her prime. Screen sirens come no hotter or more joyous. Marcel…
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Sophia Loren's Filumena, fully grown
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Burton and O’Toole grandly declaim in Becket, a big historical drama and big hit from 1964. Two leading-men of the old school variety, with big voices, they’re more than capable of extreme declamation in a love story between two men – unrequited. The bromance ended badly after Burton’s great ma…
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King & Wingman, before it all went bad
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Federico Fellini’s 8½ is self-referential in the extreme, as his fever-dream of a movie-about-the-making-of-a-movie parodies the self-indulgence of its maker. Nice work if you can get it. Still, it is a classic, widely acclaimed to be amongst the greatest and most influential movies of all …
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Fellini & Claudia Cardinale, his idea...
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