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The House on Telegraph Hill is a triumph of art direction. That’s good. It’s also unintentionally campy. That’s bad. The result is a just OK movie, yet one that belongs in the San Francisco Cinema Hall of Fame. The views are marvelous. And the views are the thing with San Francisco real…
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Grt Views, Lrg House, fake Telegraph ...
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Elemental kid’s movie, just 40 minutes long, thy name is White Mane. It’s from France of all places, with French cowboys. Really. And wild French horses – white horses and white stallions. White Mane, the leader of a herd of wild Camargues, "was a proud and fearsome horse. All the other h…
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Wild Camargues on the run. Fabuleux!
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“Introducing Audrey Hepburn” reads an opening credit. Yes, the elfin Screen Queen made her debut as a fairytale Princess in Roman Holiday, for which she won the Best Actress Oscar — a splash for the ages! One of the best RomComs ever, Roman Holiday enchants to this day, utterly charming begi…
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Moviestar Princess wearing Edith Head
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Ava Gardner plays a moviestar inspired by Rita Hayworth and Humphrey Bogart a writer-director inspired by Joseph L. Mankiewicz in The Barefoot Contessa, Mankiewicz’s takedown of movie business amorality. A glamorous movie about showbiz mendacity, it is both brilliantly self-aware and gorgeous t…
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Classic Golden Age Scene
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Dial M for Murder is lesser Hitchcock, yet worth watching for its classic tropes, timeless title and for Grace Kelly. But, the convoluted and constrained plot is insufficiently removed from its stage play roots.
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Hitch loved blond: Grace Kelly's Gold...
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Before It Takes a Thief there was To Catch a Thief, an exercise in high style, sumptuous settings and 1950s thrills, featuring the most glamorous couple in Silver Screen history. Cary Grant & Grace Kelly are über attractive as a rich heiress and a cat burglar … who was also a hero of the…
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The most glamorous couple, ever?
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A boy and his pet balloon amble through vivacious Parisian streets in this perfect childhood confection. Just over half-an-hour long, Le Ballon Rouge won more awards than you can hold in two hands and deserves to be a preschool favorite for every girl and boy to this day. Just when you thin…
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Shh! They're brother & sister. Don't ...
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Audrey Hepburn is the spoon-full-of-sugar who makes the cultural imperialism go down in Funny Face. Stanley Donen’s musical – done Broadway style – is an intoxicating Vogue-tini, a Size 0 fashion fantasy. Richard Avedon famously created the opening titles, which are perfectly high fashion. …
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Avedon's timeless portrait of Hepburn
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Starched and stilted, Witness for the Prosecution nonetheless packs one hell of a punch at the end, with glorious detail throughout and a powerhouse cast who are the complete masters of their juicy roles. Nevermind that its theatrical roots show. Agatha Christie knew how to write for max view…
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Wilder angle: Dietrich looks up at Power
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More than just the chariot race, Ben-Hur virtually defines big screen epic. At three and a half hours, it’s a lot of movie, full of bravura performances, grand visuals, and tasteful religious symbolism. One of only three movies to win 11 Oscars,1 it deserves the acclaim that accompanies the…
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Ben-Hur: This, in widescreen Technico...
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