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Spike Lee found a true American tale worthy of his talents in the exploits of detective Ron Stallworth, the black officer who led a successful takedown of the KKK in late Seventies America. It’s crazy funny. Stallworth is a true American hero, straight up, the only one unblemished in Lee’s ted…
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Real Ron Stallworth, American Hero
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40% LOL, 50% hide the women and children. Make that 80% hide the innocents, yet still 40% LOL, more than enough funny to get the job done. Yes, it’s spectacularly mean, violently so, but it’s no more cruelly subversive than was Borat. (Oh great. Now Borat… |
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“Do you realize I haven’t kissed you in over an hour?” says Charlton Heston to Janet Leigh at the end of Touch of Evil’s famous opening scene, three and a half minutes of directorial perfection. One long tracking shot, it features close-ups leading to long shadows, followed by long shots of cho…
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Touch of Genius: the legendary opening
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Not as good as it thinks it is or was cracked up to be, Prisoners nonetheless proves to be an involving, impressive and ultimately satisfying thriller. It’s worth being imprisoned inside a theater for 2½ hours. Yet sleazy storytelling-tricks weigh it down and a grimly enthusiastic desire t…
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Two men tortured by the same crime
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Really funny and occasionally inspired, often lewd and occasionally disgusting, The Watch features heavy drinkers facing off against an alien menace. Hardly humanity’s best and brightest representatives, Vince Vaughn and crew are more like our best boneheads and ballbusting nitwits. The com…
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How do you make this thing work? Don'...
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A tremendous cast makes short work of an overwrought but underdone story in Broken City. Crowe, Wahlberg and Zeta-Jones are the single-namers, and Kyle Chandler should be. They’re not all. The strong supporting cast includes Barry Pepper, luscious Natalie Martinez and engaging newcomer Britn…
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Katherine Zeta-Jones' star turn
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This early Al Pacino classic holds up well, especially as a prototype for the bevy of counterculture hero and realistic cop movies that followed. Highly recommended for cop movie fans, Pacino fans and those interested in 60s counterculture.
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The real Frank Serpico testifying
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Wes Anderson movies are an acquired taste – highly stylized, absurdly droll comedies. Moonrise Kingdom? Stylized well into pronounced surrealism. Yet it works due to a lovely and improbable romance between a couple of emotionally disturbed twelve year-olds. Being a Wes Anderson movie, the…
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Searching for her man, er, boy.
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The 21st century 21 Jump Street bangs the gong — comedy style — by expertly exploiting high school and cop show cliches. Well mounted, creatively inspired and charismatically performed, it’s almost enough to give commercial crap a good name. OK, maybe not, but it’s entertaining as hell. Hel…
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Hot for teacher? No. Hot for student.
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High quality Scorsese with a bold faced cast operating at the top of their games, this movie misses serious greatness due to the ultimate absurdity of its plot and its numerous circoreality liberties. |
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