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In the Cut deserves more than mere notoriety for a provocative title and Meg Ryan’s erotic performance, though the latter is monumental – No more RomComs for the RomCom Queen. – and vividly memorable. Slow starting, moody, Jane Campion’s movie finally turns fully creepy 30 min in, not a mome…
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The movie's better than the trailer.
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In 2005, showtime aired an original broadcast of 1 hour short films playing to an anthology theme entitled “masters of horror”. The idea feels nearly foolproof: get 13 of the most famous (infamous?) Horror directors from the past few decades, give them a script and a couple million dollars apiece… |
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A superbly crafted film about a sympathetic sociopath, Monster deserves to be appreciated for much more than Charlize Theron’s Oscar-winning performance as serial killer Aileen Wuornos. For instance, it deftly shows a seamy side of American society, the confounding and sometimes tragic forces …
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Fully Committed: Theron's Wuornos all In
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Farmer Vincent (Calhoun) owns his own farm out in the country. He butchers meat as well. This meat is thought of as the best there is. It is only administered to those who live in the area though. This is because he has a limited amount of meat. What most people don’t know though is that this m… |
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A serial killer is on the loose in this dark comedy. Riley Lawson becomes his latest victim, while her parents Will and Kate, and her younger brother Reed are left to have their home turned into the next base camp for the FBI and the most inept and insufferable agent in charge. Riley plays along … |
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Ben Kingsly plays a serial killer targeting other serial killers in this bad thriller. Aaron Eckhart plays Thomas Mackleway, the clueless FBI agent who must track down the killer, and finds himself becoming personally involved in the events. To think of anyone actually giving Eckhart a gun, let… |
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The Lisbeth Salander trilogy ends with a thud in Hornet’s Nest. Not a bang or a blaze: those would require more than a stately pace and less dependence on revealed secrets. Slower than the second, which was less kinetic than the first, The Girl Who Kicked the Hornet’s Nest serves only to cl…
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Famous Goth Agent goes to Trial
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Noomi Rapace returns as The Girl with the Dragon Tattoo in this second movie of Stieg Larsson’s Millennium Trilogy novels. A feminist Jason Bourne, her Lisbeth Salander operates with deadly derring do on-the-net, off-the-grid and in the grills of rapists. Wow. Even a red blooded dude like me…
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Fast moving, hard hitting, niftily pl...
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Hollywood must be licking its chops to remake this Swedish hit. Chockablock with career-making roles, combining fashionable anti-capitalist politics with feminist blood-lust, and striking a crisply efficient thriller tone, it suffers only from a poor title, not that that matters given how huge t…
WikChip Video
Good trailer, great movie.
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American remakes of foreign movies work best when they’re moved to America. Otherwise they can seem phony, which is the case with David Fincher’s remake of The Girl with the Dragon Tattoo. Fake Swedish accents are one hurdle. A kitschy feel is another. A merely OK Lizbeth Salander doesn’t h…
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Two great actors in a not great movie
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