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Tws summary
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Who knew there was another only-in-America mobster story ideally suited for a biographical crime movie? Kill the Irishman is that movie and Danny Greene is the mobster it brings to life, a self-made man who rose to run a large swath of the Cleveland rackets in the Seventies. It’s a rich story, …
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Smart, Perspicacious, Controlled, Brutal
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When it comes to grading Smokin’ Aces, I’m splitting the difference between Spaceghost’s Really Great and BrianSez’s Barely OK. My Good reflects the movie’s stellar cast and glimmering Vegas visuals. That said, it ain’t good in any moral sense. In fact it’s a sociopathic cesspool that not on…
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FBI partners Ryan Reynolds & Ray Liotta
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Some Like It Hot kicked off the Sixties with a bang. Released in ‘59, it was nominated for six Oscars at the 1960 Academy Awards, winning only for Orry-Kelly’s dresses for Tony Curtis, Jack Lemmon and most especially Marilyn Monroe. Speaking of Monroe, she won the 1960 Golden Globe for Best A…
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Curtis does Grant, Monroe does Monroe
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Formulaic sequels like The Equalizer 3 don’t get any respect. However, they make for immensely satisfying cinematic experiences when executed to perfection. E3 pretty much executes to perfection. Indeed, it fires on damn near all cylinders: a perfect film led by a nonpareil moviestar, work… |
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Less an LOL comedy than one that keeps you in a semi-sustained semi-grin, The Family has lots to like if not enough to love. Luc Besson’s Mafia satire does score easily and often, with major stars delivering most of its best lines. They each shine brightly, though not in the order you might e…
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Dickhead boys get taught a lesson.
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This movie is a classic. I rarely like to watch movies over and over again — but I never tire of this one. |
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This or the original is my favourite of all time. I cried at the end. |
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Pity The Iceman – the movie, not the Mafia hitman. Great mob movies are broadly treasured, even more when they’re about real guys who committed real crimes. And yet this one has flown under the radar. Six-four, with big Polish hands, the Iceman could take anybody and often did, mostly unde…
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Serious Business
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Martin Scorsese’s The Irishman is the Forest Gump of mob movies, sans any sense of sweetness of course. The Irishman has an emotional range from glum to grim, but is Gump-like in placing its protagonist in the middle of a long series of famous moments from the early sixties to the mid seventi…
WikChip Video
Circoreality 2.6x of Actual
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