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Looking for a real vampire movie? Baroque, bloody, bawdy, not to mention strict with the rules, Interview with the Vampire fits the bill. Indeed, Anne Rice’s celebrated novel led to a quintessential vampire movie: star powered, obsessively detailed and expansively imagined. Even mature movie…
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Feast Your Fangs, er... Eyes on This
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Five big-names starring in “the best period film”1 make Steven Frears’ Dangerous Liaisons really great. Frears, he of The Queen, employs Michelle Pfeiffer, Glen Close, a nubile Uma Thurmond and a horny John Malkovich in bringing Christopher Hampton’s …
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They are impressive. The cast, that is.
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DRS should be on the ‘to view’ list of anyone who appreciates old school comedy, and if you appreciate Steve Martin and haven’t seen DRS yet, you really need to put it at the top of your list soon. Steve and Michael Caine are a real hoot to watch as they unabashedly take rich women for as … |
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Goodbye Children – the final words of a heroic priest as he’s led away by a Jew-hunting Gestapo agent – forms a fitting title for this beautifully realized recounting of writer-director Louis Malle’s childhood experience during the Nazi occupation of France. Au Revoir les Enfants – _Goodbye …
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"Goodbye Father" "Goodbye Children"
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Dangerously seductive, visually intoxicating, intellectually playful, Pauline at the Beach is très français. Bien sûr, very, very French. Éric Rohmer was past 60 when he made it, but his cinematic vision of an older man seducing a hot Parisian blonde proved he hadn’t lost touch with his inner…
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They also found time to talk.
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François Truffaut’s The Man Who Loved Women hasn’t aged well. Perhaps that happens to every Lothario. It certainly seems to happen to movies about them. Nonetheless, this famous French film carries a certain fascination given that it was created by the legendary auteur behind "the Auteur Th…
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The Man Who Knew Women
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Those Magnificent Men in their Flying Machines – as the phrase went back in the day. Magnificent indeed, but also jaded, troubled, and struggling with the fact that so little of them ever make it through WWI sotries alive. Aces High takes a soft-pedal (well, soft for a 70’s movie anyway) look a… |
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Great title, lame movie. Perhaps the cutting edge from 1972 was bound to appear silly four decades later, but this French farce sure hasn’t aged well. Desperate to offend, it mostly baffles and boggles. Is it too late to rescind its Oscar for Best Foreign Language Film? |
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Brando’s feral sexuality reached its nihilistic extreme in Last Tango in Paris, a high-toned porno distinguished then for its daring explicitness and now as a period piece of iconic 70s indulgence. The minimalistic story about a grief stricken older man conducting an anonymous sexual maratho…
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Nihilistic Chic: Cover Boy Brando
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