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Brilliance has never been more exquisitely appreciated than in Amadeus, with Wolfgang Amadeus Mozart’s genius obsessively observed by Antonio Salieri, his lesser rival. Profound jealousy makes for such sweet sorrow, especially as snottily delivered by F. Murray Abraham in a stupendously juicy r…
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Sexy Opera, Very Sexy Opera
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Less a concert film than a rockstar biography, Keith Richards: Under the Influence uses the structure of the old bluesman’s 2015 solo album as inspiration for a look back at his half-century career atop the pops. “I ain’t a popstar anymore”, he says ironically if accurately. But he’s hardly …
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Keith @ the Press Conference, 9:20 in
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Steve Jobs iconified the foundation myth of Silicon Valley: brash, brilliant, started in a garage, changed the world, got stupidly rich. It was done before him and it’s been done several times since, but never as purely or dramatically. His career had more twists than a double-helix. Wannabe Stev…
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Woz tells off Jobs in spectacular fas...
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Excuse me while I dry my eyes, Glen Campbell: I’ll Be Me caused them to well-up on multiple occasions, when it wasn’t triggering deep nostalgia for a beloved entertainer. This loving documentary was made by the Rhinestone Cowboy’s family to share his struggles with Alzheimer’s before and during…
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Damn, he was some kinda great.
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Nina Simone’s name and presence had occasionally penetrated my consciousness and always piqued my interest. Happily, this well done documentary finally brought her consequential music and politics alive. Dubbed the High Priestess of Soul, she was a unique and uniquely transfixing artist, fusin…
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Liz Garbus on her Nina Simone doc
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Barbershop: The Next Cut should be a Best Picture contender but won’t be. Not because it’s black, because it’s a comedy. Comedies get no respect from the Academy. Can I get a witness? Somebody? While LOL funny, Barbershop 3 is not your ordinary comedy. Instead, it bridges several paradoxes…
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Cube, Common, Cedric & Nicki, oh my!
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National Lampoon – the maidenhead of post-modern comedy – was the ultimate risqué magazine for “well-to-do nobodies” in the Seventies. Drunk Stoned Brilliant Dead: The Story of the National Lampoon lists in its title four conditions associated with the Lampoon, another being being ROFL. This gr…
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Doug Kenney, comedy genius
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Searingly honest and comically revealing, Springsteen on Broadway is the Boss at his evocative best, notwithstanding some unintentional irony. This final performance of his 2018 one-man show (basically a live autobiography) hits the solar plexus with emotion and keen insight, more so than even …
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The Boss on his Mom
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The FBI’s reputation takes a big blow in Richard Jewell, making Clint Eastwood’s movie about 1996 timely in 2019. Last week’s Justice Department IG report crushed any belief that the upper echelon of the FBI is the least bit trustworthy. That came years after the FBI didn’t pay attention "when …
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Mike Wallace interviews Jewell 6 year...
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Greyhound delivers naval battle action that will likely never be topped. USN Captain Tom Hanks orders his men to General Quarters more often than you’ll go to the fridge for refills. Torpedoes get fired and outmaneuvered, depth charges deployed and cannons barraged at levels rarely seen and nev…
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Naval battles don't more intense than...
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