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In the Cut deserves more than mere notoriety for a provocative title and Meg Ryan’s erotic performance, though the latter is monumental – No more RomComs for the RomCom Queen. – and vividly memorable. Slow starting, moody, Jane Campion’s movie finally turns fully creepy 30 min in, not a mome…
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The movie's better than the trailer.
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Genre movies get no better than Black Widow, a noirish crime drama that delivers just what its title promises. A stunning woman seduces rich men to marry her, kills them, absconds with their fortunes and finds her next mark. You hardly want her caught, especially if you’re a guy and she’s not…
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Black Widow in Bridal Mode
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A superbly crafted film about a sympathetic sociopath, Monster deserves to be appreciated for much more than Charlize Theron’s Oscar-winning performance as serial killer Aileen Wuornos. For instance, it deftly shows a seamy side of American society, the confounding and sometimes tragic forces …
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Fully Committed: Theron's Wuornos all In
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Hollywood must be licking its chops to remake this Swedish hit. Chockablock with career-making roles, combining fashionable anti-capitalist politics with feminist blood-lust, and striking a crisply efficient thriller tone, it suffers only from a poor title, not that that matters given how huge t…
WikChip Video
Good trailer, great movie.
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We Americans are blessedly unfamiliar with the “most violent prisoner in Britain,” a nut called Charles Bronson. I’d of happily gone on that way had Tom Hardy not become an actor whose riveting performances demand that his every great role be viewed. And his feral performance as Charles Bronson…
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One more bystander hurt by Bronson
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Noomi Rapace returns as The Girl with the Dragon Tattoo in this second movie of Stieg Larsson’s Millennium Trilogy novels. A feminist Jason Bourne, her Lisbeth Salander operates with deadly derring do on-the-net, off-the-grid and in the grills of rapists. Wow. Even a red blooded dude like me…
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Fast moving, hard hitting, niftily pl...
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The Lisbeth Salander trilogy ends with a thud in Hornet’s Nest. Not a bang or a blaze: those would require more than a stately pace and less dependence on revealed secrets. Slower than the second, which was less kinetic than the first, The Girl Who Kicked the Hornet’s Nest serves only to cl…
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Famous Goth Agent goes to Trial
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Anjelica Huston and Annette Bening use their considerable feminine wiles to control a man-in-the-middle. Talk about a double shot of mature sexiness, even if John Cusack proves barely worthy of their attentions. Of course Huston’s mobbed-up mom takes an immediate dislike to Bening’s sexed-up gi…
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Bening's sexy smooth grifter, on the ...
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Preston Sturges made RomComs that are funny, sexy, glamorous, clever and sophisticated. The Lady Eve proves the point. It still works three quarters of a century later, especially with the proto-modern Barbara Stanwyck as the minx in the middle of a screwball con-game extraordinaire. Modern…
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The Lady Eve dress by Edith Head
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Perfection: The opening music sets a movielover’s heart aflutter and The Sting just gets better from there. A Scott Joplin rag – brilliantly slowed down by Marvin Hamlisch – leads to Robert Redford and Paul Newman, reunited a mere four years after they first got together in "Butch Cassidy and t…
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Best Movie Music Ever
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