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The tangled web of deception surrounding James Bond reaches its nexus in Spectre, a more than serviceable installment in the Blond Bond Era. Daniel Craig’s 007 is once again a stone-cold assassin, reprising the gritty killer persona he established in Casino Royale and has doggedly pursued in …
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Monica Bellucci is spectacular.
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Two charismatic moviestars leading a super-strong cast; only-in-Florida story; Miami Vice visual stylings: not enough to push Michael Bay’s Pain & Gain over the top into greatness. At 129 minutes, it’s almost a third too fat. Two hours and 9 minutes is too much to ask when it comes to psychopat…
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Best of Daniel Lugo / Mark Wahlberg
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Dennis Lehane took a short-story set in his characteristic Boston and expanded it into a screenplay set in Brooklyn. This works, great writer that he is, even if the story’s legs don’t so much cohere as cohabitate. The Drop won’t cohabitate as among his best with Mystic River…
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Hardy & Schoenaerts play American.
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Less an LOL comedy than one that keeps you in a semi-sustained semi-grin, The Family has lots to like if not enough to love. Luc Besson’s Mafia satire does score easily and often, with major stars delivering most of its best lines. They each shine brightly, though not in the order you might e…
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Dickhead boys get taught a lesson.
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A big, bawdy brouhaha of a movie, David O. Russell’s followup to Silver Linings Playbook never fails to entertain, especially in recreating the Seventies. Yet it never coheres to a point. It’s all pointless seems to be its point. Silver Linings Playbook…
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JLaw's nut nukes nuke, blames husband.
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A lesser Scorsese crime movie, Casino can’t shake the shadow of Goodfellas, especially given the central presence of De Niro and Pesci. Still, a good Scorsese crime movie with an A-list cast ain’t chopped liver. |
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Prime Clint, the reluctant avenging hero, forced here to battle a faulty heart and a cleverly playful serial killer. This understated classic proves that even Eastwood’s minor movies tend to be tautly paced, cleverly constructed and richly satisfying. The clever construction comes from the co…
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Wanda De Jesus: Clint loves strong wo...
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Taylor (Goethals) is a journalist who has managed to get serial killer, Leslie Vernon (Baesel) to agree to a documentary showing his process of killing. With her film crew, Taylor starts interviewing Leslie about what he does. The condition of allowing her access to him is that Taylor is not alou… |
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American remakes of foreign movies work best when they’re moved to America. Otherwise they can seem phony, which is the case with David Fincher’s remake of The Girl with the Dragon Tattoo. Fake Swedish accents are one hurdle. A kitschy feel is another. A merely OK Lizbeth Salander doesn’t h…
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Two great actors in a not great movie
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We Americans are blessedly unfamiliar with the “most violent prisoner in Britain,” a nut called Charles Bronson. I’d of happily gone on that way had Tom Hardy not become an actor whose riveting performances demand that his every great role be viewed. And his feral performance as Charles Bronson…
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One more bystander hurt by Bronson
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