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Tws summary
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Lots of sound and fury, signifying nothing. Well, that’s not true. The Rover signifies a monumental Guy Pearce performance, coupled with a notable Robert Pattinson one. Nor was there lots of sound, come to think of it. Surprisingly little actually, what with Guy Pearce’s quietly laconic ave…
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Guy Pearce: Moviestar for the Ages
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Cute kids turn into real rockers under Jack Black’s masterful tutelage in this classic movie about classic rock. Still funny the third time through, School of Rock charms, tickles and – most importantly – rocks. In the classic words of The School of Rock’s nutty professor – "It’s a toast to…
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Rock & Metal connect to Punk & Grunge
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More than your ordinary police procedural, this affecting Argentine import includes a decidedly grown-up office romance & insight into Perón’s Argentina. Veteran Law & Order director Juan José Campanella deserves his Best Foreign Language Oscar for an &1 if nothing else.1 His film’s two…
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Argentine Law & Order Writ Large
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This felt like a made-for-cable travel show, except it was with a daydreaming host Adam Sandler. Although very disjoint, the imagery and surrealism of the situations keep you interested in what is coming next. That , along with surprisingly like able characters and a understated but heart felt l… |
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The Sentinel came out in ‘06, halfway through Kiefer Sutherland’s bravura run as Jack Bauer on TV’s 24, the quintessential post-9/11 secret agent series. From there it’s a short hop to Secret Service mucky-muck in the Presidential Protective Division. Michael Douglas is also well-cast as his …
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There's only one moviestar in this shot.
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A severely dated farce would hardly be worth watching now if it didn’t star Marilyn Monroe at her most incandescent. Even better, The Seven Year Itch features Marilyn standing atop a windy subway grate in a rather famous white halter dress – widely considered one of the iconic images of the 20…
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Another dress that deserves fame
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Ultimate male bonding, pungent dialogue, and charismatic performances make this a classic fairytale for grown men. Tim Robbins’ steely, understated banker-behind-bars buddies up with Morgan Freeman’s laconic, decent con to form a duo for the ages. |
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John Wayne’s final movie serves as a benediction for gunfighters at the dawn of the 20th Century, and for Wayne’s career as a celluloid gunfighter. It does the latter better than the former, making it more of an obligation for fans of the Duke than for Western fans generally. The Shootist b…
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Lauren Bacall: strong & lovely
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