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The Legend Continues and so do the laughs. Unfortunately so do the gaffes, which way outnumber the LOLs, driving the gaffe-to-laugh ratio well above 1. That’s far from great, even if some of the bits are truly great. Yes, you’ll laugh YAO early & often enough, so one can say The Legend C…
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Good, Bad & Ugly: Carell, Ferrell, Team
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The Coen Brothers latest is one of their best, strong praise indeed for the creators of classics that include The Big Lebowski, Intolerable Cruelty and Miller’s Crossing. Yet their evocation of a fictionalized early Sixties folk scene is pitch perfect. Star turns, outstanding songs and more tha…
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Justin & Carey sing Five Hundred Miles
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Nobody’s Fool was a late career classic for everybody’s favorite moviestar. Paul Newman’s townie hand revels in being his own man, consequences be damned. He’s the town fool, even if he’s nobody’s fool — but his own. Moviestar performances from not only King Cool but also Bruce Willis, Me…
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Paul Newman: Mr. Sensitive
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I’m not really the target audience for this movie, or at least the target gender. But I like smart comedy as much as the next guy. Well maybe more than the next guy. Most guys won’t be watching Girl Most Likely, even if it’s got Matt Dillon canoodling with an ultraMILFy Annette Bening in two …
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Think this'll bring the girls in? Mig...
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Art Carney reached late career nirvana as Harry the cat lover in Harry and Tonto. Tonto? His ginger tabby. I prefer gray tabbies, so kinda understand his ardor. Carney won his sole Oscar as a gray-haired Best Actor. Paul Mazursky’s second big directorial hit after “Bob & Carol & Ted & Alice”…
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Art Carney peaks as Harry the cat lover.
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Most everyone gets murdered in this crackerjack Scandinavian noir, making In Order of Disappearance – a long yet telling title for the most assured film of the year – serious as a headshot, yet often funny as hell. The dominos start falling after an innocent guy gets mistakenly knocked-off b…
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A common man takes down the mob.
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Father Figures gets in touch with the inner child lurking just below the surface of several grown men, making it an emblematic comedy of our infantilized time. Fortunately, it’s a pretty funny one, worth a play. There’s one terrific scene, when an unusually confident Ed Helms picks up an unu…
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Bradshaw & Simmons: Father Figures
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White Boy Rick is more than a primo Matthew McConaughey movie, though it is definitely one of those. It is a darkly funny – basically true – tale of a family gone wrong in a city gone hella wrong, 1980s Detroit. Yann Demange’s film is a grim sociological examination, proctological in its pen…
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Matthew McConaughey on Rooster McCona...
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Sylvester Stallone’s Rocky franchise lives on, now centered on a new generation and an African-American hero. This all works and provides a dose of social relevance, making Creed II a solid entrant in the Rocky canon. It’s also a better than average boxing movie, largely because it follows the …
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Behind most good men is a father figure
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Great American Movies based on Great American Novels reveal new insights at increasingly greater remove. Dating from 1955 and set in 1917, East of Eden is greatly insightful about the changes in America in the near half century between when it was set and made, and the half century plus between…
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James Dean, James Dean, James Dean!
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