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Prime Clint, the reluctant avenging hero, forced here to battle a faulty heart and a cleverly playful serial killer. This understated classic proves that even Eastwood’s minor movies tend to be tautly paced, cleverly constructed and richly satisfying. The clever construction comes from the co…
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Wanda De Jesus: Clint loves strong wo...
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In the Cut deserves more than mere notoriety for a provocative title and Meg Ryan’s erotic performance, though the latter is monumental – No more RomComs for the RomCom Queen. – and vividly memorable. Slow starting, moody, Jane Campion’s movie finally turns fully creepy 30 min in, not a mome…
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The movie's better than the trailer.
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Genre movies get no better than Black Widow, a noirish crime drama that delivers just what its title promises. A stunning woman seduces rich men to marry her, kills them, absconds with their fortunes and finds her next mark. You hardly want her caught, especially if you’re a guy and she’s not…
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Black Widow in Bridal Mode
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A superbly crafted film about a sympathetic sociopath, Monster deserves to be appreciated for much more than Charlize Theron’s Oscar-winning performance as serial killer Aileen Wuornos. For instance, it deftly shows a seamy side of American society, the confounding and sometimes tragic forces …
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Fully Committed: Theron's Wuornos all In
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Hollywood must be licking its chops to remake this Swedish hit. Chockablock with career-making roles, combining fashionable anti-capitalist politics with feminist blood-lust, and striking a crisply efficient thriller tone, it suffers only from a poor title, not that that matters given how huge t…
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Good trailer, great movie.
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We Americans are blessedly unfamiliar with the “most violent prisoner in Britain,” a nut called Charles Bronson. I’d of happily gone on that way had Tom Hardy not become an actor whose riveting performances demand that his every great role be viewed. And his feral performance as Charles Bronson…
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One more bystander hurt by Bronson
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Noomi Rapace returns as The Girl with the Dragon Tattoo in this second movie of Stieg Larsson’s Millennium Trilogy novels. A feminist Jason Bourne, her Lisbeth Salander operates with deadly derring do on-the-net, off-the-grid and in the grills of rapists. Wow. Even a red blooded dude like me…
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Fast moving, hard hitting, niftily pl...
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The Lisbeth Salander trilogy ends with a thud in Hornet’s Nest. Not a bang or a blaze: those would require more than a stately pace and less dependence on revealed secrets. Slower than the second, which was less kinetic than the first, The Girl Who Kicked the Hornet’s Nest serves only to cl…
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Famous Goth Agent goes to Trial
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Bulletproof Heart is a stylishly assembled collection of cliches. There’s not enough star power in Beverly Hills to overcome its just OK screenplay, but Anthony LaPaglia & Mimi Rogers give it the old Hollywood try nonetheless. She’s tremendous as a foxy femme fatale who is sure of what she wa…
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The Movie In Minature
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Martin Scorsese’s The Irishman is the Forest Gump of mob movies, sans any sense of sweetness of course. The Irishman has an emotional range from glum to grim, but is Gump-like in placing its protagonist in the middle of a long series of famous moments from the early sixties to the mid seventi…
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Circoreality 2.6x of Actual
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