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More an oddball curiosity than a successful movie, The Long Goodbye dropped a Forties private-eye story into the Seventies. Robert Altman used that juxtaposition to show how times had changed in the twenty years since the Raymond Chandler novel on which the movie is based came out. That it does…
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Altman directs van Pallandt & Gould
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Faux Dylan for extreme Dylanologists, I’m Not The-Her-Here-There revels in tragic hipness. Unapologetic and willfully – aggressively – nostalgic, it rambles through distorted fields of Dylanology. Non fanatics should steer clear. While the characters and storyline are takeoffs from the rea…
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Cate Plays Bob Best
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Remembering this movie as a laugh riot, I was really let down recently watching it again. Still madcap, as I recalled from 1979, it just doesn’t deliver the LOLs. |
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The Raid on Entebbe stands as one of the great military feats of all time. Then there’s 7 Days in Entebbe, which stumbles along as a just OK recreation of that legendary event. Leftist in orientation, this Jeff Skoll production1 tells a full story about the communist kidnappers and their radi…
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The movie's not nearly this good.
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Who’s Next fans – and who’s not – will be delighted by this 50 minute documentary. More celebratory than insightful, it also suffers from a few omissions. However it’s all good when Pete Townshend, Roger Daltrey and John Entwistle marvel at how their benchmark album came into existence. Long…
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Genius at work with his synthesizer
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Never Let Me Go never fully had me. It starts well enough, setting up a sensitive love triangle amongst a bunch of Stepford Kids at a remote British boarding school, and then reveals an intriguing SciFi ethical dilemma. However, the movie is atmospheric in the extreme and low key to a point o…
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Ella Purnell & Izzy Meikle-Small peeking
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A time capsule of 70s stereotypes, Foxy Brown represents a high-water mark for Blaxploitation movies. It’s certainly exploitative, with lots of black thrown in. Well, black as Hollywood often caricatured it during that freewheeling time. “Dyn-o-mite” gets said unironically, for instance. "S…
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Foxy Brown statue: Super Bad!
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French musical sensation Serge Gainsbourg explains himself in this surreal biopic. Largely unknown here in America, Gainsbourg was a cross between Dylan, Sinatra and Leonard Cohen in France. The women he squired – including Brigitte Bardot during her superstar heyday – comprise a good part of h…
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Musician's Beauty: Gainsbourg & Bardot
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Malkovich, Lane and the Greatest Horse Ever, what could go wrong? Nothing, it turns out, although Secretariat never pulls a Secretariat, turning promise into triumph. Perhaps because it’s a Disney production – reverential to a fault – or perhaps because of its mildly precious dialogue. Sti…
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Big Red and his Intrepid Owner
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Ashton Kutcher leads an impressive cast to tell the story of an impressive Steve Jobs. Those of us who hail from Silicon Valley have heard it all before – yet we all yearn to get closer to the real man behind the stories. Jobs gets us one step closer to his hippie and maniacal past, is brillian… |
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