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Cute but dated Beverly Hills high school spoof from the mid-90s. Stars Alicia Silverstone and Paul Rudd provide plenty of charm, but the of-the-moment slang hasn’t aged well.
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More an oddball curiosity than a successful movie, The Long Goodbye dropped a Forties private-eye story into the Seventies. Robert Altman used that juxtaposition to show how times had changed in the twenty years since the Raymond Chandler novel on which the movie is based came out. That it does…
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Altman directs van Pallandt & Gould
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Devil In A Blue Dress is a twofer: a damn good neo-noir movie and an excellent 1940s L.A. period piece, from an African-American POV. Throw in a prime Denzel Washington performance and you’ve got a great movie, one that stands the test of time. Pity they never made a sequel. Taken from Walte…
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Denzel on Devil In A Blue Dress
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Still LOL funny after all these years, The Naked Gun’s inspired lunacy retains its comedic potency. Leslie Nielsen’s obtuse police detective played off a rogue’s gallery of evil archetypes, from the Ayatollah and other 1988 Axis of Evil bastards, to a local crime lord, earning legendary stat…
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Taking down an Axis of Evil
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Love & Mercy is as much the story of one man’s mental illness as the story of his treasured musical genius. The man is Brian Wilson, the illness is schizoaffective disorder and the music is that of The Beach Boys. The movie is perfect, as inspired as a uniquely inspired Beach Boys song. _Good, …
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Whoopi & Nicolle rave over Brian Wilson
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Ava Gardner plays a moviestar inspired by Rita Hayworth and Humphrey Bogart a writer-director inspired by Joseph L. Mankiewicz in The Barefoot Contessa, Mankiewicz’s takedown of movie business amorality. A glamorous movie about showbiz mendacity, it is both brilliantly self-aware and gorgeous t…
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Classic Golden Age Scene
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High quality, reasonably engrossing production that seeks to annoy, and succeeds. |
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Happy Endings drew me in while channel surfing, and then turned me into an emotional captive. “Not a very good movie” I’d think, but then another emotional car-wreck would happen and I’d get transfixed anew. Was there a happy ending in the end? Sadly not. Satisfying dramatic payoff? Nope, not t…
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Maggie sings a cheesy song, well
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Art Carney reached late career nirvana as Harry the cat lover in Harry and Tonto. Tonto? His ginger tabby. I prefer gray tabbies, so kinda understand his ardor. Carney won his sole Oscar as a gray-haired Best Actor. Paul Mazursky’s second big directorial hit after “Bob & Carol & Ted & Alice”…
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Art Carney peaks as Harry the cat lover.
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Lost in America’s reputation exceeds its reality. Modestly funny in 1985, its four memorable scenes live on in the mind’s eye, but fail to sustain this mere 91 minute movie. Turns out its nest-egg wasn’t enough. Not that it doesn’t have a great line here and there.
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"Oh I know, you mean the $100,000 box."
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