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Proposal rejected. A promising set-up proves insufficient to generate many laughs or even much in the way of basic charm. Sandra Bullock can’t elevate above the leaden script, perhaps because she’s never better or worse than the lines she’s given to deliver. Here they hang in the air like a la…
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It's pretty much all downhill from here.
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The dramatic depth of a lite beer commercial, egregious stereotyping and one-note performances consign The Replacements to cellar-dweller status. Even the great Gene Hackman can’t rescue it from ridiculousness, triteness and mean-spiritedness. Consider it a weak replacement for a quality foot…
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Brooke Langton cheers up Keanu Reeves
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The greatest Western ever? Not in my judgment. Though a darn good movie, The Searchers is too phony to make a claim for all-time honors. While dated, it remains essential viewing for Western fans, full of jaw dropping scenery, intriguing interplay, and classic cowboys and Indians horse chases.
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It's a big world out there.
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Tesla stands alone: the most mystical, the most gifted, the most freaky of the great industrial magnates, e.g., Edison, Westinghouse & J.P. Morgan, who also appear in this biopic of the Serbian-American inventor. From Zagreb, it presents as a bizarre movie where people’s mouths don’t match what’…
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Tesla meets J.P. Morgan. Edison fumes.
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The Sentinel came out in ‘06, halfway through Kiefer Sutherland’s bravura run as Jack Bauer on TV’s 24, the quintessential post-9/11 secret agent series. From there it’s a short hop to Secret Service mucky-muck in the Presidential Protective Division. Michael Douglas is also well-cast as his …
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There's only one moviestar in this shot.
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A severely dated farce would hardly be worth watching now if it didn’t star Marilyn Monroe at her most incandescent. Even better, The Seven Year Itch features Marilyn standing atop a windy subway grate in a rather famous white halter dress – widely considered one of the iconic images of the 20…
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Another dress that deserves fame
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Ultimate male bonding, pungent dialogue, and charismatic performances make this a classic fairytale for grown men. Tim Robbins’ steely, understated banker-behind-bars buddies up with Morgan Freeman’s laconic, decent con to form a duo for the ages. |
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John Wayne’s final movie serves as a benediction for gunfighters at the dawn of the 20th Century, and for Wayne’s career as a celluloid gunfighter. It does the latter better than the former, making it more of an obligation for fans of the Duke than for Western fans generally. The Shootist b…
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Lauren Bacall: strong & lovely
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