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Time hasn’t been kind to The Fisher King, a bum’s view of New York during the doleful Dinkins years. Terry Gilliam’s film of Richard LaGravenese’s screenplay is a dystopian tour through NYC in its Hobbesian pre-Giuliani days. Yes, it’s still a great movie, albeit its whine doesn’t stand the tes…
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Robin Williams & Amanda Plummer kiss
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De Niro, Keitel, Liotta, Berg and Stallone – with a helluva cast behind `em – turned Cop Land into a cauldron of cinematic testosterone. A strong sense of place and vivid filmmaking on both sides of the Hudson made it well worth a view. Genre requirements and trite political poison limited it…
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Stallone & Sciorra
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Wall Street gets stripped bare in this brilliantly depressing takedown of überleveraged trading houses, what used to be known as Investment Banks. An acting tour de force about the fall of a Lehman-like firm, Margin Call plays like a Wall Street Glengarry Glen Ross…
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Stanley Tucci's dissed risk manager
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It hasn’t aged well, this Seventies icon. Maybe because Woody Allen self-parodied himself in real life, or Left Wing Manhattan neurotics are no longer exotic characters, or topical gags don’t have much shelf life. “La-dee-da, la-dee-da.” Sure it’s still a benchmark movie. The Academy doesn’t …
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Trailer for a Best Picture winner
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“Are you experienced?” Rock fans of a certain age recognize that bold question as cover for “Do you dig Jimi Hendrix?” Ya dig. For those of us in that cohort and for rock and blues fans of all ages, Jimi Hendrix: Hear My Train a Comin’ is a 90 minute documentary well worth viewing, turned up …
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Hendrix â© Wild Thing â© Monterey Pop
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Marion Cotillard, Joaquin Phoenix and Jeremy Renner form a tortured romantic triangle at the heart of The Immigrant, a touching period drama. Cotillard, the immigrant of the title, enters America with her sister through Ellis Island. Traumatized back in Poland, she gets beset with new problems…
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Why so sad? She has her reasons.
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One of the more charming scenes in movie history and Al Pacino’s roaring performance mark Scent of a Woman as a great movie. The super-charming scene is, of course, the serendipitous tango that Pacino performs with a winsome Gabrielle Anwar. Sneaking up out of nowhere, it seduces the audience…
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"If you're tangled up, just tango on."
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Audrey Hepburn is the spoon-full-of-sugar who makes the cultural imperialism go down in Funny Face. Stanley Donen’s musical – done Broadway style – is an intoxicating Vogue-tini, a Size 0 fashion fantasy. Richard Avedon famously created the opening titles, which are perfectly high fashion. …
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Avedon's timeless portrait of Hepburn
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Gone Girl stirs the pot, no doubt about that. Premiering amidst the NFL-stoked domestic violence uproar, this sordid thriller about a wife’s murder is akin to throwing gas on a fire. But never mind all that societal stuff, is it a good movie? Yes, a great one, albeit far from perfect. The es…
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Smile! Oops, maybe not.
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Ben Kingsley gets in much deeper than planned after seducing a much younger Penélope Cruz in Elegy. Isabel Coixet’s movie comes by its sexual fixations via pedigree: Phillip Roth’s novel The Dying Animal. Think of it as Portnoy’s Complaint, the When I’m 64 rendition – "Will you still nee…
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Ben Kingsley seduces Penélope Cruz
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