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Formulaic sequels like The Equalizer 3 don’t get any respect. However, they make for immensely satisfying cinematic experiences when executed to perfection. E3 pretty much executes to perfection. Indeed, it fires on damn near all cylinders: a perfect film led by a nonpareil moviestar, work… |
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Martin Scorsese’s The Irishman is the Forest Gump of mob movies, sans any sense of sweetness of course. The Irishman has an emotional range from glum to grim, but is Gump-like in placing its protagonist in the middle of a long series of famous moments from the early sixties to the mid seventi…
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Circoreality 2.6x of Actual
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Choreography comes to car chases in Baby Driver. British director Edgar Wright’s benchmark blockbuster presents like Tarantino set to music. Nowhere to Run, Radar Love and Never, Never Gonna Give Ya Up lead the 60s & 70s chestnuts that impart old-school cool into this new-school movie. Star…
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First Rate Musical Appreciation
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All the Money in the World slays as a kidnapping thriller and as a biopic of the legendary J. Paul Getty, once the world’s richest man. The thriller jumps off to a startling beginning, takes a series of surprising turns, and remains thrilling right up to the well-known ending. That’s a solid sh… |
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Hands of Stone is a ham-fisted biopic of boxing great Roberto Durán. Raging Bull it’s not, notwithstanding Robert De Niro in a major role. That said, it does provide clear insight into Durán’s impoverished childhood, rise to prominence and fall from grace after his “No Mas” capitulation to Suga…
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Ana de Armas has star quality.
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Black Mass is the best movie of the year, the Irish-American Goodfellas and the best dramatic performance of Johnny Depp’s legendary career. Bold statements for sure, yet each can be substantiated.
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Johnny Depp's Whitey Bulger reigns su...
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Narco-gang depravity meets its match when things go military on the Mexican border in Sicario, Spanish for “hitman”. A semi-successful Emily Blunt rebels against this turn of events. Semi-successful? Her performance, not her rebellion, which is unsuccessful. Yet the movie is much more than semi…
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Coming Thru!!
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This long movie is no longer than the smash stage show it brings to the Silver Screen. It just feels like it. Clint Eastwood apparently couldn’t come up with a way to transform the show for the screen, with middling results. I can’t think of a way either, but that doesn’t change the underwhelm…
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Jersey Boys @Tonys: This U can dance 2
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Life is cheap in Jakarta. Guys get killed. Girls get, well, you know, treated disrespectfully in The Raid 2. The fun – this being a hell of a fun movie – comes from seeing how the guys get knocked off, as it’s often spectacularly inventive and/or a complete gross-out, with a body count that …
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Iko Uwais teaches Fight Choreography
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Dennis Lehane took a short-story set in his characteristic Boston and expanded it into a screenplay set in Brooklyn. This works, great writer that he is, even if the story’s legs don’t so much cohere as cohabitate. The Drop won’t cohabitate as among his best with Mystic River…
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Hardy & Schoenaerts play American.
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