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Gary Cooper walking alone down a dusty Western street to confront a gang of killers is as iconic as Hollywood gets, making High Noon an archetype even more than a legend. That’s quite a weight. Fortunately the movie itself is engaging, suspenseful and tight. A mere 85 minutes, it runs in ne…
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High Noon (Do Not Forsake Me, Oh My D...
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Samurai cowboys save a poor village in ye old Mexico, riding in to one of the greatest themes of all time. Fifty years on, the all-star cast impresses less than the bravura music — the Marlboro jingle still arouses. The Magnificent Seven famously remakes Kurosawa’s Seven Samurai…
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Elmer Bernstein's Magnificent Theme
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The Old West ended when Butch Cassidy and the Sundance Kid hightailed it to Bolivia. Old Westerns ended when Paul Newman and Robert Redford became Butch Cassidy and the Sundance Kid, outlaw charmers the likes of which the Silver Screen had never seen before. Four Oscars plus three additional n…
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Bewitching Musical Interlude
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The great Elmore Leonard wrote two kinds of scripts, great ones and, well, er, the great Elmore Leonard wrote one kind of script, not counting the two genres he wrote: Westerns and darkly funny crime dramas. Known more now for the latter, he was a modern master of the former, populating his hair…
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Guitar kicks in 40s into the Joe Kidd...
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This epic TV miniseries follows ex Texas Rangers (Robert Duvall, Tommy Lee Jones) as they steal horses in Mexico then get involved in a cattle drive to Montana in the 1880’s. A little Kitschy at times, but endearing to watch the pair banter back and forth and perform their manly cowboy roles. …
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Just as Goodfellas is the ne plus ultra of mob movies, Unforgiven is the apotheosis of Westerns. In classic Western form the movie endorses the ethos of the lone righteous man doing what needs done, while at the same time baldly debunking the glorification of gunfighters in the Wild West. T…
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