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Is there a funnier scary movie? While not laugh-your-guts-out, The Cabin in the Woods is LOL all thru. The comedy just keeps coming and coming. Bloody deaths come too, soon a welcome part of the comedy. Some reviewers decline to describe the movie. Just go they say. Why not describe i…
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Kiss Me You Fool: Sexiest Dare Ever
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The Old West ended when Butch Cassidy and the Sundance Kid hightailed it to Bolivia. Old Westerns ended when Paul Newman and Robert Redford became Butch Cassidy and the Sundance Kid, outlaw charmers the likes of which the Silver Screen had never seen before. Four Oscars plus three additional n…
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Bewitching Musical Interlude
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Some Like It Hot kicked off the Sixties with a bang. Released in ‘59, it was nominated for six Oscars at the 1960 Academy Awards, winning only for Orry-Kelly’s dresses for Tony Curtis, Jack Lemmon and most especially Marilyn Monroe. Speaking of Monroe, she won the 1960 Golden Globe for Best A…
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Curtis does Grant, Monroe does Monroe
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Goodbye Children – the final words of a heroic priest as he’s led away by a Jew-hunting Gestapo agent – forms a fitting title for this beautifully realized recounting of writer-director Louis Malle’s childhood experience during the Nazi occupation of France. Au Revoir les Enfants – _Goodbye …
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"Goodbye Father" "Goodbye Children"
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The slippery slope of crime reached a peak cinematic representation in A Simple Plan. An ill-gotten gain sets the plot in motion, after which the movie follows an exquisite slide into further felonious excitations. This scratches several erogenous zones for lovers of crime cinema. We so enjoy…
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It's been a no good, very bad day.
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America. My theory is that Forrest Gump serves as personification of the early baby boomers, i.e. of the America of that era. Naive, idealistic, rambunctious, Forrest’s life functions as allegory for the cultural journey of the generation that came of age during the 60s. Whether you buy that…
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Lovely Hanks
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Ultimate male bonding, pungent dialogue, and charismatic performances make this a classic fairytale for grown men. Tim Robbins’ steely, understated banker-behind-bars buddies up with Morgan Freeman’s laconic, decent con to form a duo for the ages. |
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Let’s talk about Fight Club. A contemporary classic, David Fincher’s surreal masterpiece makes killer use of several cinematic power tools: sophisticated CGI and film processing, faux sophisticated alienation, throbbing music, Brad Pitt. You gotta give this nihilistic triumph grudging credit….
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Brad Fucking Pitt
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