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Hardly a chick flick, though focused predominantly on a doomed love affair and populated largely by talkative females, Atonement delivers its real wallop when it goes to war, offering a stunning battle scene not out of place in the first rank of war movies. A legitimate Best Picture candidat… |
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This surprisingly effective revenge thriller plays better than its formulaic trailer might suggest. The mix of A-List star, well written script and competent direction injects plenty of life into an implausible set-up and the resulting cat-and-mouse games.
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A-List Star Slumming = Movie Worth Se...
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Goodbye Children – the final words of a heroic priest as he’s led away by a Jew-hunting Gestapo agent – forms a fitting title for this beautifully realized recounting of writer-director Louis Malle’s childhood experience during the Nazi occupation of France. Au Revoir les Enfants – _Goodbye …
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"Goodbye Father" "Goodbye Children"
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Martin Scorsese does a kid’s movie, delivering a film history lesson wrapped in a Parisian postcard. Glorious visuals, affecting performances and deft filmmaking flourishes make it a treat for kids of all ages. The fable of Hugo Cabret imagines an orphan boy who lives in the walls of a stor…
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Hey, who's that photographer?
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As cheerfully commercial Christmas movies go, Love Actually is actually a crappy, er, great one. Stars aplenty populate ten mostly separate love stories, making for a generally lighthearted confection. Writer-director Richard Curtis is a master of these trendy RomComs. Like his "Four Weddings a…
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Cheerful Commercial Crap Video
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Terrifically well-conceived SciFi Fantasy is rare. Add an ageless superstar in a role ideal for his particular set of skills, opposite a beautiful screen-queen making her buffed-up action debut, in a 3D production up to the challenge of visualizing time travel and interplanetary war, and you’re …
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Emily & Tom howling at Comic-Con
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Essential though Patton may be – as war movie, as American history, as biopic – it’s not the epochal statement the Academy thought they were canonizing with seven Oscars in 1971, including Best Picture. Back then Frances Ford Coppola’s script seemed subversive, undermining American militarism …
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If I had my way, I'd meet Rommel F2F.
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