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Deserving of its wide acclaim, Memento nonetheless remains a bit of an aficionados’ treat. The central conceit of the story – the ‘condition’ that restricts Guy Pierce’s Leonard from forming new memories – drags on the dialogue and doesn’t allow the story to gain momentum. Still this movie is… |
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Rock ‘em, sock ’em Holmes: Brilliant star Robert Downey Jr. turns the mythical detective into an action hero of the first order in Guy Ritchie’s rousing movie. Though a good show, its Jonesian hyper-reality might not be to every taste, notwithstanding today’s action movie fan expecting this sort…
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Lord Blackwood: Noble + Evil + Villain
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Cinematic sensations conclude no better than HP|DH:P2. We’re talking multiple climaxes, legitimate ones. This perfect finale gives us final scenes with most every significant character from the entire magical series, many consisting of just one freighted line, each perfectly crafted, all subl…
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The Noseless One and his Minions
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A lavish Hitchcock treat, full of glamour, suspense and wit. The establishing scene is a virtuoso display of filmmaking all by itself, while Grace Kelly graces – there is no other word for it – the silver screen like a goddess amongst mortals.
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Strong cast and elegant story. Mannered but entertaining. |
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Polish up the acceptance speeches. Changeling deserves a passel of trophies, though Best Picture isn’t one of them. The difficult story – while expertly told – ends up a mildly exhausting slog, one not worth enduring for anyone not wanting to visualize the most elemental of maternal nightmare… |
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The great Christopher Nolan directs Al Pacino and an oh-so-serious Robin Williams in an icy thriller. For fans of taut detective dramas, it’s all good. A clever cat-and-mouse tale, Insomnia triggers the mind altering condition of its title via Alaska’s summertime sun – all day n’ all night …
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Originally overlooked. Worth watching.
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Plodding, pretentious and predictable aren’t the attributes of high quality SciFi. Yet Arrival has been bathed in positive reviews. Amy Adams’ laudable performance notwithstanding, this praise is seriously mistaken. OK, perhaps I’d be less strident about this if the high marks hadn’t led me to …
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Weak Visuals
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Get Out melds edgy African-American humor with classic horror movie tropes, the admixture delivered with near Hitchcockian mastery. That’s how Jordan Peele’s brilliant movie brings the Black Lives Matter sensibility to horrific life. The conceit is not that whites don’t care if blacks live or d…
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The multifaceted Mr. Peele
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Wind River, the best American crime movie in recent memory, is as American as it could possibly be. Native-American at its core, cowboy on its face, Wind River transcends its stunningly assured procedural tropes to create a haunting tale of Western life in 2017, on the res and off, for India…
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Taylor Sheridan & stars talk Wind River
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