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John Wayne’s final movie serves as a benediction for gunfighters at the dawn of the 20th Century, and for Wayne’s career as a celluloid gunfighter. It does the latter better than the former, making it more of an obligation for fans of the Duke than for Western fans generally. The Shootist b…
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Lauren Bacall: strong & lovely
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Love and Death made me a Woody Allen fan, a film so funny, so smart, a film like I’d never seen before. Being but 15 at the time, how could it be otherwise. One of Woody’s great comedies, Love and Death remains pleasantly absurd, if no longer bellylaugh funny, yet still unspools a plethora o…
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Sexy LOL: Woody & the Countess
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A time capsule of 70s stereotypes, Foxy Brown represents a high-water mark for Blaxploitation movies. It’s certainly exploitative, with lots of black thrown in. Well, black as Hollywood often caricatured it during that freewheeling time. “Dyn-o-mite” gets said unironically, for instance. "S…
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Foxy Brown statue: Super Bad!
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The Conversation was one of Francis Ford Coppola’s celebrated early Seventies movies, nominated for Best Picture and winner of the Palme d’Or. Deeply accomplished, occasionally fascinating, a time capsule of San Francisco from 1973, it nonetheless disappoints all these decades later. The min…
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Coppola talks 'The Conversation' in 1974
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Thunderbolt And Lightfoot still entertains nearly half a century after it premiered. The star power of Clint Eastwood and a young Jeff Bridges see to that, as does a cockamamy story about Montana bank robbers. Mostly it’s a first-rate buddy picture, not unlikely buddies but very likely budd… |
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Perfection: The opening music sets a movielover’s heart aflutter and The Sting just gets better from there. A Scott Joplin rag – brilliantly slowed down by Marvin Hamlisch – leads to Robert Redford and Paul Newman, reunited a mere four years after they first got together in "Butch Cassidy and t…
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Best Movie Music Ever
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More an oddball curiosity than a successful movie, The Long Goodbye dropped a Forties private-eye story into the Seventies. Robert Altman used that juxtaposition to show how times had changed in the twenty years since the Raymond Chandler novel on which the movie is based came out. That it does…
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Altman directs van Pallandt & Gould
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