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Considered one of the great screwball comedies, Nothing Sacred is still worth viewing some eighty years after its premier for the satirical laughs it triggers, for its colorful portrayal of New York City and rural Vermont, and for its clever takedown of venal journalism as practiced by big city…
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Trailers have changed quite a bit.
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Dennis Lehane took a short-story set in his characteristic Boston and expanded it into a screenplay set in Brooklyn. This works, great writer that he is, even if the story’s legs don’t so much cohere as cohabitate. The Drop won’t cohabitate as among his best with Mystic River…
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Hardy & Schoenaerts play American.
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John Wayne starring in an Old West fairytale based on a Louis L’Amour story endows Hondo with loads of old fashioned panache, yet saddles it with too many cliches for enduring greatness. That’s in 2D however. Having seen it years ago in 3D, I recall it as being better but still not great. It…
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The trailer hypes Hondo a bit too much.
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Terrific Western: Howard Hawks behind the camera, John Wayne in front. Also the movie in which Dean Martin proved he could act, even if he was playing his typecast role of drunkard. |
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Literature hits the silver screen in this big budget movie that works as both romance and parable. More personal though less interesting than Forrest Gump, its closest cinematic relative, The Curious Case of Benjamin Button nonetheless deliv…
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“You never know what’s coming for...
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Deserving of its wide acclaim, Memento nonetheless remains a bit of an aficionados’ treat. The central conceit of the story – the ‘condition’ that restricts Guy Pierce’s Leonard from forming new memories – drags on the dialogue and doesn’t allow the story to gain momentum. Still this movie is… |