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Color Me Kubrick isn’t for everyone. It was worth viewing for me because of its lens into the London show biz scene and its masterful Malkovich performance. I’d wager the more you know show business the more you’ll like this true show biz story about some nasty funny business. BTW, it’s also …
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It's all going so well, then it's not.
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As cheerfully commercial Christmas movies go, Love Actually is actually a crappy, er, great one. Stars aplenty populate ten mostly separate love stories, making for a generally lighthearted confection. Writer-director Richard Curtis is a master of these trendy RomComs. Like his "Four Weddings a…
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Cheerful Commercial Crap Video
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Idiotic criminals chasing a HUGE diamond make amusing mayhem in one of Guy Ritchie’s now classic London thug-fests. There’s not a sympathetic character in the whole movie. Well the Gypsies are somewhat sympathetic, especially Brad Pitt’s comically incomprehensible mama’s boy. Ritchie – the B…
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Comically Incomprehensible Mama's Boy
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Sure bets usually aren’t. For those of us who like casinos and crime movies however, Croupier is a lock. With all due respect to Martin Scorsese, it arguably tops his Casino as the quintessential casino movie. It centers on a croupier (_de…
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Slick Dealing & Chip Handling
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Quadrophenia stands on its own from Quadrophenia, the Who’s great rock opera from whence it sprang. For starters, the movie’s considerable spoken dialog means it’s not an opera. And while many of the album’s songs are used, not all are and they’re augmented by a few created for the movie.
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Riding up in front of a hundred faces...
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One might think Raquel Welch would be in at least several scenes of Bedazzled, given her prominence – ahem – in the poster. You’d be wrong. Thrusting her benchmark boobs into Dudley Moore’s face, with only a bikini top in the way, she looks very big in the poster. Very big. Yet Raquel – #2 "Hot…
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Raquel Welch as Lillian Lust
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The best Bond? Hardly, notwithstanding its haughty reputation and terrific title. Connery’s in rare form, granted. However the Bond girls are … who are they again? Former beauty queen Daniela Bianchi and a pair of Gypsies. Hardly Ursula Andress, Halle Berry or Jane Seymour. The übervi…
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Connery & Miss World Runner-Up
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Starched and stilted, Witness for the Prosecution nonetheless packs one hell of a punch at the end, with glorious detail throughout and a powerhouse cast who are the complete masters of their juicy roles. Nevermind that its theatrical roots show. Agatha Christie knew how to write for max view…
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Wilder angle: Dietrich looks up at Power
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Dial M for Murder is lesser Hitchcock, yet worth watching for its classic tropes, timeless title and for Grace Kelly. But, the convoluted and constrained plot is insufficiently removed from its stage play roots.
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Hitch loved blond: Grace Kelly's Gold...
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Though more than a little dated, the original Man Who Knew Too Much remains a must see for fans of spy thrillers and classic filmcraft. Dryer than a vermouth-free martini, perfectly shot in high contrast B&W and crafted in such accomplished fashion that Hitch’s nickname – The Master – could h…
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Classic Lorre: Oily, Sinister, Depraved
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