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![]() Two political movies were released this third weekend before the Obama retention election – one on heroic capitalism, the other recreating a little known cloak-and-dagger success during the Iranian Hostage Crisis, an otherwise dismal chapter in American history. The second movie – Argo – is th…
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Making a fake hit movie
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![]() Charlie is My Darling is the dangerous younger brother to A Hard Day’s Night. Beatles ‘64. Stones ‘65. Mercy, Mercy was more than a Rolling Stones song in 1965. It was what they wanted from their ravenous fans, a besotted mob of hormonally charged teens. Beatlemania had nothing on the…
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The Stones drive the Irish lasses crazy
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![]() Django Unchained is an absurdly good movie that goes where few filmmakers dare tread, and succeeds so completely that only Tarantino could pull it off. What he’s pulled off is a Tarantinic take on the first of the two racial decimations to occur in the heart of Western Civilization, three year…
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Give this man an Oscar. Seriously.
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![]() Locke is an extremely understated title for a totally gripping movie about an extremely understated guy. Ivan Locke spends the whole movie driving away from home and from his life. iDrive Away or Distracted Driving or iPhone Home would give a better sense of the tightly-wound existentia…
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Problems? He's got a few.
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![]() Nightcrawler is L.A.‘s Taxi Driver, with Jake Gyllenhaal’s morally vacuous street prowler supplanting Robert DeNiro’s demented urban loner. Dan Gilroy’s movie delivers a freakish amount of cinematic energy, exposing the nightmares of Los Angeles in particular, and our Eyewitness News society …
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Humanity? Hell no, keep filming.
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![]() Felt like the times. Great soundtrack. Sparse plot. Great acting – I think. |
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![]() Quadrophenia stands on its own from Quadrophenia, the Who’s great rock opera from whence it sprang. For starters, the movie’s considerable spoken dialog means it’s not an opera. And while many of the album’s songs are used, not all are and they’re augmented by a few created for the movie.
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Riding up in front of a hundred faces...
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![]() Darker and more realistic than the 1969 original featuring John Wayne, this 21st Century retelling of a classic Wild West retribution story succeeds in almost every respect — often funny, richly evocative, shockingly brutal, cleverly revisionist. That last comes from the clear hero – a 14 year …
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Tall in the Saddle: Hailee Steinfeld
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