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The Lisbeth Salander trilogy ends with a thud in Hornet’s Nest. Not a bang or a blaze: those would require more than a stately pace and less dependence on revealed secrets. Slower than the second, which was less kinetic than the first, The Girl Who Kicked the Hornet’s Nest serves only to cl…
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Famous Goth Agent goes to Trial
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Pity The Iceman – the movie, not the Mafia hitman. Great mob movies are broadly treasured, even more when they’re about real guys who committed real crimes. And yet this one has flown under the radar. Six-four, with big Polish hands, the Iceman could take anybody and often did, mostly unde…
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Serious Business
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Polish up the acceptance speeches. Changeling deserves a passel of trophies, though Best Picture isn’t one of them. The difficult story – while expertly told – ends up a mildly exhausting slog, one not worth enduring for anyone not wanting to visualize the most elemental of maternal nightmare… |
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American remakes of foreign movies work best when they’re moved to America. Otherwise they can seem phony, which is the case with David Fincher’s remake of The Girl with the Dragon Tattoo. Fake Swedish accents are one hurdle. A kitschy feel is another. A merely OK Lizbeth Salander doesn’t h…
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Two great actors in a not great movie
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Deeply unsatisfying, notwithstanding the top-drawer talent that created it, this adaptation of a celebrated novel proves that some books should never make the heavenly transition to the silver screen. Shame on Peter Jackson – the Lord of the Ring…
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Sarandon was great, a rarity in this ...
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