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The Lisbeth Salander trilogy ends with a thud in Hornet’s Nest. Not a bang or a blaze: those would require more than a stately pace and less dependence on revealed secrets. Slower than the second, which was less kinetic than the first, The Girl Who Kicked the Hornet’s Nest serves only to cl…
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Famous Goth Agent goes to Trial
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Noomi Rapace returns as The Girl with the Dragon Tattoo in this second movie of Stieg Larsson’s Millennium Trilogy novels. A feminist Jason Bourne, her Lisbeth Salander operates with deadly derring do on-the-net, off-the-grid and in the grills of rapists. Wow. Even a red blooded dude like me…
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Fast moving, hard hitting, niftily pl...
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Hollywood must be licking its chops to remake this Swedish hit. Chockablock with career-making roles, combining fashionable anti-capitalist politics with feminist blood-lust, and striking a crisply efficient thriller tone, it suffers only from a poor title, not that that matters given how huge t…
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Good trailer, great movie.
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American remakes of foreign movies work best when they’re moved to America. Otherwise they can seem phony, which is the case with David Fincher’s remake of The Girl with the Dragon Tattoo. Fake Swedish accents are one hurdle. A kitschy feel is another. A merely OK Lizbeth Salander doesn’t h…
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Two great actors in a not great movie
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The Grand Budapest Hotel flaunts a garden of cinematic delights. Deliciously deadpan and deliriously fun for those of us who love the cinematic art form, Wes Anderson’s brilliant confection works high and low. Well, not too low, as even the physical comedy and silly surprises take a bit of sm…
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Evildoers: Dafoe & Brody
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The Guard touches perfection here and there, is otherwise mostly great, but gets held back by a merely OK screenplay. Fortunately a crafty Brendan Gleeson drives plenty of deadpan comedy for a very good movie. So what if it’s not a classic. It’s got brilliant visuals, a handful of LOLs and…
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Dominique McElligott, r. Sarah Greene...
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