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Tws summary
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A lavish Hitchcock treat, full of glamour, suspense and wit. The establishing scene is a virtuoso display of filmmaking all by itself, while Grace Kelly graces – there is no other word for it – the silver screen like a goddess amongst mortals. |
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All the LOL moments are in the trailers. Still, Ashton and Cameron are likable, hot, self-deprecatingly funny, and have more than a smidgen of chemistry together, so the movie is a bit better than OK. |
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Lots of pretty people delivering razor sharp comedy atop an idiotic premise makes for a very good movie. The central conceit of Our Idiot Brother – Paul Rudd’s absurdly guileless fool, a.k.a. the Idiot Brother – gets just this side of tedious however. Fortunately the whole thing is more than a…
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Elizabeth Banks: Uptown Gorgeous
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Amusing albeit self-absorbed, this lesbian-family-values comedy succeeds by putting humor ahead of politics, thus creating a modestly enjoyable movie for people of all persuasions. The story of teenage kids connecting with their biological father – much to the consternation of their lesbian Moms…
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Fatherhood brings out the best in boy...
2 Replies
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New addition to the boxing movie canon? Absolutely, complete with elemental title, elemental story and devastating performances. A female power story as much as a male one, Melissa Leo, Christian Bale and Mark Walhberg’s maternal-fraternal triangle pegs the meter for codependency. When Amy Ada…
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All in the (dysfunctional) Family
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Woe is me – what I felt watching The Company Men, perhaps because that’s how its characters felt. Notwithstanding its glorification of self-pity, the movie tells a surprisingly good story, touching on many familiar elements of our current woeful economy. People living beyond their means, in…
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Formerly fatuous: Costner & Affleck
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Win Win has become such a cliche, yet is anything but in the entirely winning movie of that title. Cleverly mining today’s uneven economy, the uneasy equality of modern marriages, the unjust world of neglected kids, and not least, the under-appreciated sport of high school wrestling, Win Win…
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Who says meaningful auteur cinema is ...
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A story of brothers ripped apart by revolution should be better than the formulaic The Wind That Shakes the Barley. Cloaked in the emerald charm of Ireland, yet curiously unengaging, it’s more socialist screed about the Irish republican revolution than ripping good yarn. The Irish revolutio…
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Brothers, close as can be, ripped apart
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A big Bondian miasma, dark and steely, Skyfall marks a solid chapter in the half century superspy series. Big it is – nearly two and a half hours, though it doesn’t feel overlong; complete with massive explosions and huge fights; full of big, big moviestars, including a first rate supervillain…
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Classic: Bond & M with DB5 in Scotland
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Source Code’s a challenging movie to like. I found myself not liking it for the first half, then kinda liking it, then really liking it, only to back off at the end to kinda really liking it. Complicated? Yep, complexity overload is part of its problem. Yet Duncan Jones’ sophomore picture r…
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Michelle Monaghan: Adorable Deamgirl
2 Replies
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