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Ava Gardner plays a moviestar inspired by Rita Hayworth and Humphrey Bogart a writer-director inspired by Joseph L. Mankiewicz in The Barefoot Contessa, Mankiewicz’s takedown of movie business amorality. A glamorous movie about showbiz mendacity, it is both brilliantly self-aware and gorgeous t…
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Classic Golden Age Scene
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All the Money in the World slays as a kidnapping thriller and as a biopic of the legendary J. Paul Getty, once the world’s richest man. The thriller jumps off to a startling beginning, takes a series of surprising turns, and remains thrilling right up to the well-known ending. That’s a solid sh… |
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“Introducing Audrey Hepburn” reads an opening credit. Yes, the elfin Screen Queen made her debut as a fairytale Princess in Roman Holiday, for which she won the Best Actress Oscar — a splash for the ages! One of the best RomComs ever, Roman Holiday enchants to this day, utterly charming begi…
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Moviestar Princess wearing Edith Head
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More than just the chariot race, Ben-Hur virtually defines big screen epic. At three and a half hours, it’s a lot of movie, full of bravura performances, grand visuals, and tasteful religious symbolism. One of only three movies to win 11 Oscars,1 it deserves the acclaim that accompanies the…
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Ben-Hur: This, in widescreen Technico...
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Charlton Heston makes Michelangelo as operatic as Moses in The Ten Commandments. Facing off with Rex Harrison’s Warrior Pope in 1500s Rome makes The Agony and the Ecstasy a spectacle extraordinaire. The 2¼ hour runtime wisely starts with a 12 min. intro that covers Michelangelo’s highlight…
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Charlton Heston with the Contessina
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Burton and O’Toole grandly declaim in Becket, a big historical drama and big hit from 1964. Two leading-men of the old school variety, with big voices, they’re more than capable of extreme declamation in a love story between two men – unrequited. The bromance ended badly after Burton’s great ma…
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King & Wingman, before it all went bad
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Triple helpings of Sophia Loren & Marcello Mastroianni make Yesterday, Today and Tomorrow a triplo trattare of sexy Italian comedy. 1963’s Best Foreign Language Oscar-winner is a primo classico movie. It’s like watching three 40-minute TV episodes performed by all-time great moviestars – a…
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Sophia turns Marcello into a puppy dog.
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The only smile triggered by Jason Bourne comes after the very long end credits, where the fine print under a “Green is Universal” logo brags about how this steroidal killfest used Sustainable Filming Practices. So let’s get this straight. After the private jets used by Matt Damon and his large …
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Mighty Matt rocks his upside-down grin.
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Formulaic sequels like The Equalizer 3 don’t get any respect. However, they make for immensely satisfying cinematic experiences when executed to perfection. E3 pretty much executes to perfection. Indeed, it fires on damn near all cylinders: a perfect film led by a nonpareil moviestar, work… |
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A pre-sexual revolution Italian trifle, Matrimonio All’Italiana packs a considerevole punch 50 years on. Consider Sophia Loren – in her prime. Screen sirens come no hotter or more joyous. Marcel…
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Sophia Loren's Filumena, fully grown
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