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Brando’s feral sexuality reached its nihilistic extreme in Last Tango in Paris, a high-toned porno distinguished then for its daring explicitness and now as a period piece of iconic 70s indulgence. The minimalistic story about a grief stricken older man conducting an anonymous sexual maratho…
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Nihilistic Chic: Cover Boy Brando
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I finally did it; I watched a Barbara Streisand classic. I’m not normally a fan of old school musicals, but the Bronx beauty was mesmerizing; the classic charm, humor, and blow ‘em away voice kept me hooked. |
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One might think Raquel Welch would be in at least several scenes of Bedazzled, given her prominence – ahem – in the poster. You’d be wrong. Thrusting her benchmark boobs into Dudley Moore’s face, with only a bikini top in the way, she looks very big in the poster. Very big. Yet Raquel – #2 "Hot…
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Raquel Welch as Lillian Lust
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A spoonful of sugar makes the medicine go down. The sugar: a terrific love story. The medicine: the wanton cruelty and dehumanization endemic to the nascent Soviet Union. Director David Lean – King of the Epics – reunited with Omar Sharif and several essential crew members from "Lawrence of Ar…
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They don't make 'em like they used to.
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A pre-sexual revolution Italian trifle, Matrimonio All’Italiana packs a considerevole punch 50 years on. Consider Sophia Loren – in her prime. Screen sirens come no hotter or more joyous. Marcel…
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Sophia Loren's Filumena, fully grown
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What we have here is movie magic sans modern FX. Instead Charade conjures its allure from a couple of nonpareil moviestars delivering sparkling dialog in an idealized Paris while a seductive theme song plays in the background. Such an intoxicating mix makes it easy to fall in love with Cary Gr…
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Moviestar Magic Incarnate
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Triple helpings of Sophia Loren & Marcello Mastroianni make Yesterday, Today and Tomorrow a triplo trattare of sexy Italian comedy. 1963’s Best Foreign Language Oscar-winner is a primo classico movie. It’s like watching three 40-minute TV episodes performed by all-time great moviestars – a…
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Sophia turns Marcello into a puppy dog.
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Elvis returns to Hawaii from the Army and proceeds to shake things up with a bunch of girls, his flustered parents and the local tourism industry. Notwithstanding the King’s undying charisma, Blue Hawaii is a disappointing lark, especially since it contains no great songs and lacks a great fem… |
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Audrey Hepburn is the spoon-full-of-sugar who makes the cultural imperialism go down in Funny Face. Stanley Donen’s musical – done Broadway style – is an intoxicating Vogue-tini, a Size 0 fashion fantasy. Richard Avedon famously created the opening titles, which are perfectly high fashion. …
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Avedon's timeless portrait of Hepburn
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