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Tws summary ▲
Trust
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Stupid, strained and stale. Funny is funny, if only this big budget exercise in explosions and starpower brought the yucks. Never does. All you can expect are one or two smiles interspersed with more painful moments than a trip to the dentist. Woof. While MetalJunky5000 disliked it less th…
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Smokin' hot wife. Lame running joke.
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Kevin Hart mugs strenuously throughout Ride Along 2, but it’s not nearly enough to give the movie comedic lift. Indeed, there’s only one other comic actor in the cast with him and that’s Ken Jeong, who is more annoying than funny. Everyone else is a straight man, which means the movie simply is… |
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Second-rate performances by first-rate stars in a second-rate thriller with a heavy-handed political agenda make Arbitrage a third-rate movie. Don’t believe the praise it’s received from the Mainstream Media. They’re in love with writer-director Nicholas Jarecki’s politics more than his movie…
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The movie's lone shining star: Tim Roth
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Glamorous L.A. noir from back when real men wore fedoras makes Mulholland Falls a high calorie treat. A sultry Jennifer Connolly cavorting with John Malkovich and Nick Nolte makes it a guilty pleasure. Cheesy dialogue makes it a bit tough to swallow. Should this luxo crime thriller be bett…
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Malkovich & Connelly make the movie
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Jack Reacher feels less like a movie and more like a mongo TV pilot, one sporting superstar charisma, huge production values and enough sociopathic violence to sicken half the country. Why the sick level of violence? For Reacher to brutally exterminate the bad guys, the bad guys have to prov…
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She was 5 months pregnant. Just saying.
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40% LOL, 50% hide the women and children. Make that 80% hide the innocents, yet still 40% LOL, more than enough funny to get the job done. Yes, it’s spectacularly mean, violently so, but it’s no more cruelly subversive than was Borat. (Oh great. Now Borat… |
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“Do you realize I haven’t kissed you in over an hour?” says Charlton Heston to Janet Leigh at the end of Touch of Evil’s famous opening scene, three and a half minutes of directorial perfection. One long tracking shot, it features close-ups leading to long shadows, followed by long shots of cho…
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Touch of Genius: the legendary opening
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Not as good as it thinks it is or was cracked up to be, Prisoners nonetheless proves to be an involving, impressive and ultimately satisfying thriller. It’s worth being imprisoned inside a theater for 2½ hours. Yet sleazy storytelling-tricks weigh it down and a grimly enthusiastic desire t…
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Two men tortured by the same crime
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American Gigolo kickstarted the Eighties. It made the Seventies suddenly – instantly – yesterday. Unkempt & brassy gave way to sleek & sophisticated, disco to New Wave. How? Gere wearing Armani, driving a Mercedes, listening to Blondie in Schrader’s glimmering California masterpiece, that’s…
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The Call Me intro defined the Eighties
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It’s a good thing that bad blood and a bad title don’t trump brilliant execution of a great set-up, because otherwise Bad Lt. NOLA wouldn’t be such a wildly entertaining time at the movies. But it is. Oh man is it ever. Dark comedy gets no more grim, nor rarely as LOL funny as here. Think o…
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Anthropomorphic Projection of Reptili...
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